Georgia O’Keeffe was passionate about materials and craft. She brought a measured, fastidious

Georgia O’Keeffe was passionate about materials and craft. She brought a measured, fastidious approach to everything she did – from creating hand sewn garments to making paintings and works on paper. From the beginning, she had strong feelings about how her artwork should be displayed, handled, and preserved to the best effect. In 1946, she met her match in Caroline Keck, who at the time was a paintings conservator at the Brooklyn Museum. Keck was every bit as careful and methodical in her approach to conservation as O’Keeffe was to painting. The two women developed a close bond, corresponding over a nearly forty-year period during which Keck served as O’Keeffe’s personal conservator, trusted advisor, and friend.To learn more about this fascinating story, join me at the Museum Friday, July 14th for the lecture, Taking Care of Her Work: On Georgia O'Keeffe and Caroline Keck where I’ll discuss the artist-conservator relationship in the context of recent technical findings made during a close examination of the eight O’Keeffe paintings in the Brooklyn Museum collection. These paintings have been preserved in excellent condition and many retain original features such as O’Keeffe’s signature cardboard backing (seen above) or their artist-designed frames. These elements provide fascinating insights into O’Keeffe’s working methods and desired aesthetic. Get your tickets today!Posted by  Lauren Bradley -- source link

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