Renato Casaro, ‘2019: After the Fall of New York’ (1983)“In 1983, as low-rent film

Renato Casaro, ‘2019: After the Fall of New York’ (1983)“In 1983, as low-rent filmmakers scrabbled about for suitably desolate locations to double as nuked-out future deserts, quarry owners across Italy continued to rub their greedy hands in glee at the post-apocalyptic cinematic windfall Brezhnev and Reagan had unwittingly—or, in retrospect, wittingly—guaranteed them. Smelling money in the irradiated water, director Sergio Martino decided to take a break from his usual domestic sex comedies to give the world 2019: After the Fall of New York (hereafter just 2019).”….“2019 is basically just a heap of what the Italians call trovate—cool, gimmicky, derivative ideas piled higgledy-piggledy on top of one another and embellished to the point of absurdity…”…..“2019 is creative as opposed to inventive, in the sense that you can almost hear the crew manically nailing stuff together, painting bits of plyboard and attaching spikes to the front of old cars, without there actually being much sense of novelty or surprise about any of it. The film is amazingly childish, and much of it actually resembles improvised play, appearing as it does to have been made up when the cameras started rolling. What can I say? My mistake! It’s immensely enjoyable—immensely stupid, often boring, totally ridiculous, and immensely enjoyable.” (Source) -- source link
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