Loves of the Gods (Pomona and Vertumnus)Giovanni Jacopo Caraglio (Italian; ca. 1500/1505–1565)
Loves of the Gods (Pomona and Vertumnus)Giovanni Jacopo Caraglio (Italian; ca. 1500/1505–1565) after Perino del Vaga (Italian; 1501–1547)ca. 1520–39EngravingThe British Museum, London | © The Trustees of the British MuseumPomona lived in this king’s reign. No other hamadryad, of the wood nymphs of Latium, tended the gardens more skilfully or was more devoted to the orchards’ care, hence her name. She loved the fields and the branches loaded with ripe apples, not the woods and rivers. She carried a curved pruning knife, not a javelin, with which she cut back the luxuriant growth, and lopped the branches spreading out here and there, now splitting the bark and inserting a graft, providing sap from a different stock for the nursling. She would not allow them to suffer from being parched, watering, in trickling streams, the twining tendrils of thirsty root. This was her love, and her passion, and she had no longing for desire. Still fearing boorish aggression, she enclosed herself in an orchard, and denied an entrance, and shunned men. What did the Satyrs, fitted by their youth for dancing, not do to possess her, and the Pans with pine-wreathed horns, and Silvanus, always younger than his years, and Priapus, the god who scares off thieves, with his pruning hook or his phallus? But Vertumnus surpassed them all, even, in his love, though he was no more fortunate than them. O how often, disguised as an uncouth reaper, he would bring her a basket filled with ears of barley, and he was the perfect image of a reaper! Often he would display his forehead bound with freshly cut hay, and might seem to have been tossing the new-mown grass. Often he would be carrying an ox-goad in his stiff hand, so that you would swear he had just unyoked his weary team. Given a knife he was a dresser and pruner of vines: he would carry a ladder: you would think he’d be picking apples. He was a soldier with a sword, or a fisherman taking up his rod. In short, by his many disguises, he frequently gained admittance, and found joy, gazing at her beauty. (Ovid, Metamorphoses, Book XIV; trans. by A. S. Kline) -- source link
#16th century#1520s#1530s#italian artists#italian printmakers#italian engravers#italian painters#classical mythology#italian renaissance#renaissance#pomona#vertumnus#apples#fruit#priapus#engravings#seasons#orchards#drapery#human figure#arbors#ovid#metamorphoses#love#gardens