This past weekend, I attended the New York Artists Book Fair held by Printed Matter Inc. at MoMA PS1

This past weekend, I attended the New York Artists Book Fair held by Printed Matter Inc. at MoMA PS1. I arrived Friday morning for the institutional hours when curators of the fair led guided tours for invited guests. With over 350 different press vendors from around the world as well as independent publishers from 35 different countries at the fair, I was grateful for a curator’s inside look. In addition to booksellers, the fair had eight exhibitions of a more performative quality including a makeshift tattoo parlor set up by Gagosian Gallery where limited editions of tattoos, designed by artists such as Kim Gordon, were sold to fair attendees who sat down right away to receive their ink. By the end of the tours, I felt as if I was swimming in a sea of artists’ books, tote bags, students, zines, and ephemera. With my guidebook and map in hand, I began writing down my favorite vendors and books to keep in mind as possible purchases for the Brooklyn Museum Libraries.In the afternoon, I met with Deirdre Lawrence, Principal Librarian of the Brooklyn Museum Libraries, and we attended a conference session on performance, photography and photobooks. We perused the labyrinth of vendors and encountered several items that fit in well with the Library’s collection of artists’ books including  Mechanical Pop-Up Book by Haruka Hiramatsu published by Pepper’s Project in Tokyo and The Library Was by Heiba Lamara, Sofia Niazi, and Rose Nordin published by Book Works in London.On Saturday we returned for round two, attending another conference session on Ed Ruscha’s infamous artist books and looking at others that touched on subjects from Islam to German history to street photography. The fair is an opportunity for all those interested in the book arts, but this year I was grateful for the opportunity to practice collection development and to consider how the Library reflects the Brooklyn Museum’s encyclopedic collections and its varied exhibition schedule. One of the best things about working in a museum library is recognizing that the collection has exhibition value in addition to research value, something that one must keep in mind while working on collection development.  This experience allowed me to realize just how much I have learned about the Brooklyn Museum Library’s collection since I started my fellowship in June and how much I look forward to contributing to its growth in the future.Posted by Giana Ricci -- source link

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