Dang but I love good cinematography. Half of Vi is stuck in the past, same shaved side as her childh
Dang but I love good cinematography. Half of Vi is stuck in the past, same shaved side as her childhood haircut, still behind bars thinking about Powder to survive; half is free and untamed, grown and changed with time, but now able to clearly see who Jinx is. Physically, Vi can move however she wants in this scene, but mentally, she’s trapped right here: between freedom and moving forward at the cost of admitting Powder is gone, or sacrificing everything to keep futile hope alive and refusing to see Jinx as she is. She can’t not see it, but can’t accept it either. *chef’s kiss* That’s the good shit right there. -- source link
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