Gemini (Tsukamoto Shinya, 1999)Halves make whole. Suppression brings surface. This movie also a spli
Gemini (Tsukamoto Shinya, 1999)Halves make whole. Suppression brings surface. This movie also a split being made whole between Edogawa Rampo and Tsukamoto: the grotesque clashing with civility and period setting of the former meeting Tsukamoto’s camera, eliciting of faces and snarls, and genuine devotion to that source material, hokeyness and all. Makes good. -- source link
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