thirstyagron:It’s really easy to throw away a film because of that [Bechdel] test (which is flawed a

thirstyagron:It’s really easy to throw away a film because of that [Bechdel] test (which is flawed a
thirstyagron:It’s really easy to throw away a film because of that [Bechdel] test (which is flawed a
thirstyagron:It’s really easy to throw away a film because of that [Bechdel] test (which is flawed a
thirstyagron:It’s really easy to throw away a film because of that [Bechdel] test (which is flawed a
thirstyagron:It’s really easy to throw away a film because of that [Bechdel] test (which is flawed a
thirstyagron:It’s really easy to throw away a film because of that [Bechdel] test (which is flawed a
thirstyagron:It’s really easy to throw away a film because of that [Bechdel] test (which is flawed a
thirstyagron:It’s really easy to throw away a film because of that [Bechdel] test (which is flawed a

thirstyagron:It’s really easy to throw away a film because of that [Bechdel] test (which is flawed and used incorrectly in a lot of ways) if you’re a white woman and can easily find other films with white women who look like you and represent you… But as an East Asian woman, someone like Mako — a well-written Japanese woman who is informed by her culture without being solely defined by it, without being a racial stereotype, and gets to carry the film and have character development — almost NEVER comes along in mainstream Western media. And honestly — someone like her will probably not appear again for a very long time. -- source link
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