The hits just don’t stop coming!My May playlist is finished and it’s only almost one mon

The hits just don’t stop coming!My May playlist is finished and it’s only almost one month late! Everything you want and nothing you don’t from Nicki Minaj, the band that did the OC theme song and Italian Adele. What more could you ask for! Listen here!Curious - Amerie: Amerie, who sang the world’s greatest song 1 Thing and unfortunately never had any other good songs, surprise released a 22 minute album called 4AM Mulholland and a companion EP that was 20 minutes long called After 4AM last year. I don’t know why she didn’t just release one normal length album but anyway, because she’s Amerie people weren’t exactly eagerly awaiting a surprise release album from her so it came and went pretty quickly. This song though is really very good and sets a really nice midnight smoky tone that the whole rest of the album/EP unfortunately fails to really live up to. I also found out in my research that Amerie is also apparently a semi-influential book vlogger ‘BookTuber’ and last year edited a book of YA short stories where other BookTubers 'reimagined fairy tales from the oft-misunderstood villains’ points of view. She’s got heaps going on. Vipers Follow You - Amon Tobin: Amon Tobin has lost his damn mind yet again. His last album was 8 years ago and it sounded like a hardware test for a new kind of million dollar sound system. Every single type of sound and frequency was crammed into it and it felt like a sound sculture that could physically attack you rather than an album that you listened to for fun. Now his new album sounds like the direct opposite. There’s no drums on it at all and it’s all stripped back thick and smooth acoustic-modelled textures and it’s very nice. This song is a good example of the album feel overall: not exactly ambient or laid-back, but definite night music from a guy who has gone all the way from chillout trip-hop to walls of hydraulic noise over his career and it’s always such a thrill to hear people pushing forward in their sound 9 albums in. Do The Panic - Phantom Planet: Phantom Planet who famously did the theme song for The OC have reformed and released their first new song in ten years. This isn’t that song but there was a bunch of people in the comments on the Stereogum article about it saying they were and underrated band and their 2008 album Raise The Dead has bangers and guess what: they were right! Roman Holiday - Nicki Minaj: Roman Holiday reentered the billboard charts last month because it became relevant again via people putting it in memes where they would play a sped up version of the song over sped up videos of.. anything really. It’s not a very good meme but I thank god for it because otherwise I would never have learned that it’s a very good song. I also think there’s a very interesting lesson to be learned here about Nicki Minaj because she premiered this song at the 2012 Grammys before Roman Reloaded came out with an elaborate Exorcist routine and everyone hated this extremely weird song and extremely weird performance so it was scrapped as the first single and they put out Starships instead. Nicki Minaj seem to me like an artist that has always struggled to ride the line between pop marketability and doing their own unique thing in much the same way as Eminem, and just like Eminem she’s eventually settled in to a very safe and marketable version of herself. Roman Holiday is a glimpse of the Nicki That Could Have been that just starts singing Come All Ye Faithful in the middle of a song and does the chorus in an extremely dodgy British accent. There’s a good bit on the wiki for this song that quotes Jessica Hooper’s Spin review that says "the pop tracks are a paying of the piper and the too-perfect, Dr. Luke-produced songs are her penance for sneaking deranged yodeling ode 'Roman Holiday’ in there.“ More deranged yodelling odes please Nicki! Cousins - Vampire Weekend: I’ve never gotten into Vampire Weekend for an unknown reason. I like every song I’ve heard of theirs I’ve just never properly sat down and listened to an album and appreciated it until Father Of The Bride this year. I have however always loved Cousins. It’s got a completely deranged riff, the drums sound like their going to catch fire and it ends with chiming bells. It’s completely off the rails and I think the video is one of my favourites ever for just simply matching the tone of the song and the performance. Lost Your Number - Nu Shooz: On the episode of R U Talkin’ R.E.M Re: Me? with Ezra Koenig they were talking about grunge and the early 90s and how music that had 'authenticity’ suddently became so popular. Scott’s reasoning was that by the late 80s pop music had become so incredibly vaccuous and bad that people were yearning for anything with meaning. He said 'pop was so bad, stuff like Nu Shooz’ and I immediately remembered how fucking good Nu Shooz are and paused the podcast to listen to them instead. This is an absolutely great song because the lyrics never rise above linear storytelling. 'I lost your number’ is not a metaphor for lost contact or leaving someone or anything like that. This whole song is about trying to call someone but you’ve lost the piece of paper that you wrote their phone number on. She even describes the paper like maybe you the listener have seen it around somewhere, I absolutey love it. Paper Trail$ - Joey Bada$$: Joey Bada$$ is a goon but he has good songs sometimes. If he wasn’t a famous rapper he would be working full time in reddit arguments where people rank members of the Wu-Tang Clan. He’s one of these 'real hip hop’ 'lyrical miracle’ guys and he even goes so far as to rework C.R.E.A.M in this song to say cash RUINS everything around me :O but this beat is nice as hell and I woke up with the bit where says 'shit is really real out here’ repeating in my head. Julien - Carly Rae Jepsen: I’m really loving this new Carly Rae album. It’s not as heavy on hits as Emotion obviously but it’s more even overall and has a lot more to dig into I think. I just keep listening to it. This song especially is so nice because it’s a great example of how you only need two chords to get something extremely funky going. Rock Non Stop - Cassius: Cassius finally have another great song! The nearly two minute choral intro is such genius because of how suddenly and forcefully it drops you into the middle of the most boneheaded dance song I’ve heard in a long time. Two different silly voices going back and forth with each other saying 'rock non stop’ and 'gimme the good time’, who could ask for anything more? Just as I was about to publish this I saw the news that Phillipe Zdar died which is so sad! Just as they started releasing fantastic new music! So now this song is tinged with that sort of sadness which is unfair because it’s such a fun and silly piece of music, it doesn’t deserve to hold that kind of weight. DOLO 5 - Dolo Percussion: This Dolo Percussion album absolutely astounded me. No melody! Just drums! For an hour and a half! It’s a complete world of its own and you can get totally lost in the depths of it. Every song has a completely unique palette and it never ever feels boring like percussion focused music sometimes can, it’s constantly evolving in every track and never settles into anything for too long. Things just come and go so naturally it feels like actually trying to figure out the structure of these songs would be impossible. There’s a few moments where there’s a hint of a bassline or melody in a some of the later songs and it completely shakes you up, like seeing sunlight again after years of absolutely thriving in the dark. Song About An Angel - Sunny Day Real Estate: The way he sings 'running behind’ in this is maybe one of my favourite pieces of vocal performance ever. He just shouted himself apart. Also the Genius description of this song is one of the best emo sentences I’ve ever seen: "The song is believed to be a conversation between a guy and an angel (possibly a girl).”This Life - Vampire Weekend: The R U Talkin’ R.E.M. Re: Me? episode with Ezra really put this album into a lot more context for me, because he’s talking about being influenced by The Grateful Dead - not musically exactly but in the mindset and the idea of being in a guitar band and making guitar music in 2019 which is an interesting thing to think about. Anyway this has such a Dead feel to it and I’m really interested to see what they do live because as I’ve heard they’re really mixing up their reputation of being a band that sounds exactly like the album and really going for it instead and doing absolutely anything which is a lot more fun. The Past Is A Grotesque Animal - of Montreal: I’ve been getting heavily into Hissing Fauna Are You The Destroyer? this month and it’s just so incredible. This song especially as the centrepiece of this whole album is amazing. The mindset is so intriguing to me: absolutely going though it in the worst way possible, getting divorced and everything like that but also somehow managing to keep it twee. The sorts of things that influenced this album would turn any normal person to heavier or stranger music but somehow he manages to believe so hard in the power of twee indie pop that he pushed it to the limit and create a masterpiece. The Cascades - Janice Scroggins: You know that tweet about riding the bus and looking out the window and pretending the music you’re listening to is the soundtrack to the movie about you riding the bus? That’s me except with Scott Joplin rags and pretending i’m in a silent film where I embarrass myself in front of a society lady. The Governor - Nicolas Jaar: I think i’ve probably already had this song on a playlist like three times so I’m going to stop talking about it but here’s my favourite thing this time: It could have just ended and been fine but instead it goes to saxophone hell and that’s what makes this a 10/10 song. The Less I Know The Better - Tame Impala: My peabrain moment this month was suddenly developing a huge obsession with this song for some reason. Have you guys heard of this band ‘Tame Impala’? I really feel like they might blow up! One of my favourite things about this song is that the top youtube comment for a long time was ‘this is like the cuck anthem’. They’re right! New Town - Life Without Buildings: Life Without Buildings feels like indie rock from another dimension. This came out in 2000 and for some reason I can’t reconcile that fact with how it sounds. It sounds like it should have come out at least 5 years later. I cannot imagine this style of vocal ever working so effectively but somehow it just does. I’m hanging on absolutely every word and feeling it so intensely when in reality she sounds like something went wrong with the recording. I just love it. Bang Bang Bang - Mark Ronson And The Business Intl: This is a hugely underrated song and this era of Mark Ronson seems to have been totally forgotten which is unfortunate. This song, Bad Romance by Lady Gaga and OMG by Usher all came out around the same time in my memory and I remember feeling very optimistic for the direction pop seemed to be heading in. Bombastic and unique and unafraid to be structurally different but then it turned out it wasn’t really a trend at all, it was just three great songs. So who knows. Back To The Trees - Adele H: I suddenly remembered this song I completely fell in love with last year and remembered as a moderate hit only to find that it has <1000 listens on spotify and 300 on youtube. Simply not good enough, please listen to this song! Support my friend and yours Adele H: ‘The Italian Adelian’ Out There - Studio: What’s so good about Studio is it’s technically an electronic duo but it has the feeling of a jam jam band. Their wiki article is obviously written by their management but it also describes them as an ‘afrobeat-dub-disco-indie-pop adventure’ which is very true. It’s an adventure! It just keeps moving on and on through fifty flavours of groove! Shut Up Kiss Me - Angel Olsen: This really is maybe the best love song ever written! Because it’s about standing firm and not giving up on love! Stop pretending I’m not there when it’s clear I’m not going anywhere / If I’m out of sight then take another look around! Through This Town - Mia Dyson: If you ever need an optimistic song to lay down on the floor to then here’s one. Cry Flames - Rustie: I’m on my usual shit about how good Glass Swords was and how that it’s a tragedy that this never coalesced into a major movement like it should have. This is such a good sound that just kind of disappeared because vaporwave and everything overlapped with the boring parts of it and the anime chillout version became popular instead. Sad! Real Truth (feat. Tkay Maidza) - J-E-T-S, Machinedrum and Jimmy Edgar: I love this beat so much. The sort of beat that sounds like it’s playing out of a droid that got shot with a lazer and is malfunctioning. Aute Cuture - Rosalia: me putting these lyrics through google translate: oh my god she’s right this IS on fire Self-Immolate - King Gizzard And The Lizard Wizard: King Gizz are a metal band now and they’re writing the very best kind of metal songs - sci-fi about burning to death in the skies of Venus that’s also a climate change parable. Magic Arrow - Timber Timbre: Timber Timbre feel underrated to me. I never see anyone talking about them but they’re one of the most consistently great bands around, I absolutely love them. There’s so much space in this song, this whole style of minimal production is underutilised. It feels like if Wicked Game by Chris Isaak was about an 18th century cult leader instead which I think we can all agree is a much improved song. Kim’s Caravan - Courtney Barnett: I love this style of songwriting where you just sit on an extremely heavy bassline the whole time and have no chorus, which affords you the freedom to just get bigger and bigger and smaller as you wish. The Drones cover of River Of Tears works like this too and I think it’s just masterful. When The Movie’s Over - Twin Shadow: My belief is Confess is front to back one of the greatest pop albums ever written. Please, please listen to it and be moved. listen here -- source link

More pics about