’In some ways, the climax of Part I is the extraordinaryscene between Hal and Falstaff… I decided I

’In some ways, the climax of Part I is the extraordinaryscene between Hal and Falstaff… I decided I
’In some ways, the climax of Part I is the extraordinaryscene between Hal and Falstaff… I decided I
’In some ways, the climax of Part I is the extraordinaryscene between Hal and Falstaff… I decided I
’In some ways, the climax of Part I is the extraordinaryscene between Hal and Falstaff… I decided I
’In some ways, the climax of Part I is the extraordinaryscene between Hal and Falstaff… I decided I
’In some ways, the climax of Part I is the extraordinaryscene between Hal and Falstaff… I decided I
’In some ways, the climax of Part I is the extraordinaryscene between Hal and Falstaff… I decided I
’In some ways, the climax of Part I is the extraordinaryscene between Hal and Falstaff… I decided I
’In some ways, the climax of Part I is the extraordinaryscene between Hal and Falstaff… I decided I
’In some ways, the climax of Part I is the extraordinaryscene between Hal and Falstaff… I decided I

’In some ways, the climax of Part I is the extraordinaryscene between Hal and Falstaff… I decided I wanted to shoot it straight through with twocameras; we’d rehearsed, but never run it through, and I didn’t want the extrasto have witnessed it before. It was remarkable: eight minutes long, Simon andTom both acting their hearts out. It felt so intense and clear. Afterwards,several of the crew asked me whether I’d rewritten it. I hadn’t changed a word.’ Richard Eyre, Director of Henry IV, Part I -- source link


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