adayinthelesbianlife:adayinthelesbianlife:For more than forty years, Pulitzer Prize winning poet Mar

adayinthelesbianlife:adayinthelesbianlife:For more than forty years, Pulitzer Prize winning poet Mary Oliver lived on Cape Cod with the love of her life, the remarkable photographer Molly Malone Cook.When Cook died in 2005 at the age of eighty, Oliver looked for a light, however faint, to shine through the thickness of bereavement. She spent a year making her way through thousands of her spouse’s photographs and unprinted negatives, which Oliver then enveloped in her own reflections to bring to life Our World - part memoir, part deeply moving eulogy to a departed soulmate, part celebration of their love for one another through their individual creative loves. Embraced in Oliver’s poetry and prose, Cook’s photographs reveal the intimate thread that brought these two extraordinary women together — a shared sense of deep aliveness and attention to the world, a devotion to making life’s invisibles visible, and above all a profound kindness to everything that exists, within and without.Oliver ends Our World with The Whistler, a poem on never fully knowing even those nearest to us — a beautiful testament to what another wise woman once wrote: “You can never know anyone as completely as you want. But that’s okay, love is better.”THE WHISTLERAll of a sudden she began to whistle. By all of a suddenI mean that for more than thirty years she had notwhistled. It was thrilling. At first I wondered, who wasin the house, what stranger? I was upstairs reading, andshe was downstairs. As from the throat of a wild andcheerful bird, not caught but visiting, the sounds war-bled and slid and doubled back and larked and soared.Finally I said, Is that you? Is that you whistling? Yes, shesaid. I used to whistle, a long time ago. Now I see I canstill whistle. And cadence after cadence she strolledthrough the house, whistling.I know her so well, I think. I thought. Elbow and an-kle. Mood and desire. Anguish and frolic. Anger too.And the devotions. And for all that, do we even beginto know each other? Who is this I’ve been living withfor thirty years?This clear, dark, lovely whistler? From Mary’s FB:To Mary’s beloved readers, we’re very sorry to share this sad news:Mary Oliver, beloved poet and bard of the natural world, died on January 17 at home in Hobe Sound, Florida. She was 83.Oliver published her first book, No Voyage, in London in 1963, at the age of twenty-eight. The author of more than 20 collections, she was cherished by readers, and was the recipient of numerous awards, including the 1984 Pulitzer Prize for American Primitive, and the 1992 National Book Award for New and Selected Poems, Volume One. She led workshops and held residencies at various colleges and universities, including Bennington College, where she held the Catharine Osgood Foster Chair for Distinguished Teaching until 2001. It was her work as an educator that encouraged her to write the guide to verse, A Poetry Handbook (1994), and she went on to publish many works of prose, including the New York Times bestselling essay collection, Upstream (2016). For her final work, Oliver created a personal lifetime collection, selecting poems from throughout her more than fifty-year career. Devotions was published by Penguin Press in 2017.Her poetry developed in close communion with the landscapes she knew best, the rivers and creeks of her native Ohio, and, after 1964, the ponds, beech forests, and coastline of her chosen hometown, Provincetown. She spent her final years in Florida, a relocation that brought with it the appearance of mangroves. “I could not be a poet without the natural world,” she wrote. “Someone else could. But not me. For me the door to the woods is the door to the temple.” In the words of the late Lucille Clifton, “She uses the natural world to illuminate the whole world.”In her attention to the smallest of creatures, and the most fleeting of moments, Oliver’s work reveals the human experience at its most expansive and eternal. She lived poetry as a faith and her singular, clear-eyed understanding of verse’s vitality of purpose began in childhood, and continued all her life. “For poems are not words, after all, but fires for the cold, ropes let down to the lost, something as necessary as bread in the pockets of the hungry.”When Death ComesWhen death comeslike the hungry bear in autumn;when death comes and takes all the bright coins from his purseto buy me, and snaps the purse shut;when death comeslike the measle-pox;when death comeslike an iceberg between the shoulder blades,I want to step through the door full of curiosity, wondering:what is it going to be like, that cottage of darkness?And therefore I look upon everythingas a brotherhood and a sisterhood,and I look upon time as no more than an idea,and I consider eternity as another possibility,and I think of each life as a flower, as commonas a field daisy, and as singular,and each name a comfortable music in the mouth,tending, as all music does, toward silence,and each body a lion of courage, and somethingprecious to the earth.When it’s over, I want to say: all my lifeI was a bride married to amazement.I was the bridegroom, taking the world into my arms.When it’s over, I don’t want to wonderif I have made of my life something particular, and real.I don’t want to find myself sighing and frightened,or full of argument.I don’t want to end up simply having visited this world. -- source link

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