letitiawrights:Color was critical to the look of “Emma.” Drawing on Sofia Coppola’s 2006 “Marie Anto
letitiawrights:Color was critical to the look of “Emma.” Drawing on Sofia Coppola’s 2006 “Marie Antoinette,” Quinn says pastels were key to the production design and costuming. She used mint green and pale pink, as well as yellow and burnt orange to illustrate Emma’s cool and breezy attitude. “I worked closely with Autumn to develop a palette of colors for every season,” Byrne explains. She leaned on white muslin for her designs, but she stresses the costumes were never meant to be just white; the sheerness of the fabric allowed her to layer other items on top to create a depth and richness that contrasted with the lightness and buoyancy. — Alexandra Byrne | Costume Designer for Emma. (2020) -- source link