ivyblossom:thecutteralicia:thecutteralicia:This is a completely underrated scene. For those who alle
ivyblossom:thecutteralicia:thecutteralicia:This is a completely underrated scene. For those who allege that Sherlock doesn’t care about his clients, look at that third gif. There’s real sadness and compassion there. During this scene, Henry is actively suicidal and keeps putting a gun in his mouth, but it’s Sherlock - not John, the soldier and doctor - who talks Henry down. “Someone needed to keep you quiet; needed to keep you as a child to reassert the dream that you’d both clung on to, because you had started to remember…You couldn’t cope. You were just a child, so you rationalized it into something very different. But then you started to remember, so you had to be stopped; driven out of your mind so that no one would believe a word that you said.”Does Sherlock only care about the mysteries? At this point in the episode, he already had the solution. He knew the workings behind H.O.U.N.D. and the poisonous gas. He could have left. But he wanted to make Henry understand, to alleviate some of the grief he’d carried since his father’s death. Sherlock even forces Henry to look at the dead dog to drive the point home. “You couldn’t cope. You were just a child.“ It’s a remarkable display of empathy on Sherlock’s part. I had to go back and find and reblog this meta from four years ago because it’s taken on new poignancy in light of The Final Problem. Now we know that Sherlock, too, had conjured a hound of his own. For those of us in the meta game for reasons other than solving problems and predicting endings, this is why we do it. PIcking up a piece of fiction, holding it up to the light, looking at it from every angle, seeing what gets reflected in it: this is fun. And once in a while it helps us see connections between things, and it exposes beauty in unexpected places. This is the joy in really looking. -- source link