Every single country where feminist publishing began, began with the movement. It came out of the mo

Every single country where feminist publishing began, began with the movement. It came out of the mo
Every single country where feminist publishing began, began with the movement. It came out of the mo
Every single country where feminist publishing began, began with the movement. It came out of the mo
Every single country where feminist publishing began, began with the movement. It came out of the mo
Every single country where feminist publishing began, began with the movement. It came out of the mo
Every single country where feminist publishing began, began with the movement. It came out of the mo
Every single country where feminist publishing began, began with the movement. It came out of the mo
Every single country where feminist publishing began, began with the movement. It came out of the mo
Every single country where feminist publishing began, began with the movement. It came out of the mo

Every single country where feminist publishing began, began with the movement. It came out of the movement. It didn’t come out of the mainstream publishing environment at all. It came out of a political context–a political context in which the women’s movement was very significant. But each of those publishing houses had a very different genesis. It’s not as though every single publishing house was sui generis the way we were. That it was just two women who set up and had no backing and no fronting either. Two women–always two women. That’s another thing–almost always two women. It’s always been collaborative. The Books We Made (Anupama Chandra & Uma Tanuku, 2015) -- source link


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