edithhead: “[Adelaide] had to appear to be completely normal… It’s all about a ne

edithhead: “[Adelaide] had to appear to be completely normal… It’s all about a ne
edithhead: “[Adelaide] had to appear to be completely normal… It’s all about a ne
edithhead: “[Adelaide] had to appear to be completely normal… It’s all about a ne
edithhead: “[Adelaide] had to appear to be completely normal… It’s all about a ne
edithhead: “[Adelaide] had to appear to be completely normal… It’s all about a ne
edithhead: “[Adelaide] had to appear to be completely normal… It’s all about a ne
edithhead: “[Adelaide] had to appear to be completely normal… It’s all about a ne
edithhead: “[Adelaide] had to appear to be completely normal… It’s all about a ne
edithhead: “[Adelaide] had to appear to be completely normal… It’s all about a ne
edithhead: “[Adelaide] had to appear to be completely normal… It’s all about a ne

edithhead: “[Adelaide] had to appear to be completely normal… It’s all about a neutral palette. What she chooses is really generic, and anyone can project onto it whatever they want to see… I wanted her to be the lantern that led her family… Along the way, that light is continually flickering … She’s getting more and more and more covered in blood. The idea was that [by the film’s end], she’s almost as red as Red.” — Kym Barrett, costume designer for Us (2019) dir. Jordan Peele -- source link
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