sphinxinthenight:Roland Penrose’s photograph “Four Women Asleep” illustrates the connections shared
sphinxinthenight:Roland Penrose’s photograph “Four Women Asleep” illustrates the connections shared among women of Surrealism. The shot shows four women who worked in the movement, some perhaps best-known as muses or significant others: Leonora Carrington, the photographer Lee Miller, Nusch Éluard, and Ady Fidelin.Carrington tended to side with the women of Surrealism: She specified she liked Frida Kahlo over Diego Riviera, Fidelin over Man Ray (“What she saw in him, I’ll never know,” she told her cousin Joanna Moorhead. “It certainly wasn’t his looks.”) Of the important men in the movement, she said: “I wasn’t daunted by any of them.” “I’m like a hyena, I get into the garbage cans,” she once said. “I have an insatiable curiosity.” That curiosity fed into the theme of her life’s work, which could be described as a search for the hidden, lost histories.[…] Carrington implored people to question the erasures in history, to question those in power, citing in “The Cabbage is a Rose” history’s “convenient[…] gaps and peculiarities that only begin to make sense if understood as a covering-up for a very different kind of civilization which had been eliminated.” She spoke regularly of the multiple identities she felt she inhabited, delighted in depicting the complexities of the self, and writhed at the idea of settling into the roles imposed on her by others. - Leonora Carrington: The Painter Who “Didn’t Have Time to be Anyone’s Muse” -- source link
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