“Robert Pattinson’s unflagging dedication to his recent directors, from James Gray to Jo

“Robert Pattinson’s unflagging dedication to his recent directors, from James Gray to Josh and Benny Safdie to Claire Denis, has resulted in some of the finest screen acting of the decade and performances that are something like acts of immersion. In Denis’ High Life, Pattinson’s physical beauty is an ideal object of scrutiny for a director long fascinated by the ways in which a cinematic body can reveal and refract a lived experience the cinematic possibilities of the human body. As Monty, one of a group of convicts shot into deep space for a doomed mission, Pattinson lends methodical concentration and welcome soulfulness to Denis’ virtuosic foray into the realm of science fiction. For all its shocks and provocations, nothing in High Life haunted me quite as profoundly as the wearied spirit beneath Pattinson’s hard body, a sadness that will not yet allow itself to surrender to death’s oblivion. Psychological portraiture is seldom the focus of Denis’ filmmaking, but Pattinson implies an intricate interior world inflected by the sordid desires and burning, sometimes brutal impulses that Monty refuses to give in to. Although Denis forbids us from seeing all the way inside the character, those intently concentrating on Pattinson are rewarded by his habit of lingering on certain moments, lengthening pauses and prolonging glances to encourage our own exploration into the psyche of this tortured but resolute man, a prisoner in more ways than one.” — Matthew EngThe 12 Best Male Film Performances of Early 2019(Source: TribecaFilm.com) -- source link

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