1505 Gallery
artust
icandoit
kitamura ryo
nwsoftheweird
kardie art
the-cinder-fields:The Unicorn in Captivity (from the Unicorn Tapestries) c 1495–1505
clawmarks: Detail from the Horae ad usum Romanum (dites Grandes Heures d'Anne de Bretagne) - c. 1505
the-cinder-fields:The Unicorn in Captivity (from the Unicorn Tapestries) c 1495–1505
Anatomical studies, 1505, Leonardo Da VinciMedium: ink,paper
Book of Hours, Use of Paris (Susanna Hours) Paris, ca. 1505–20; illuminator: workshop of the M
koredzas:Antonio del Massaro - Pietà. 1505
Octavien de Saint-Gelais Livre des Eneydes (French translation of Virgil, Aeneid) France, ca. 1505&n
slam-european: Portrait of a Musician, attributed to Girolamo Mazzola Bedoli, Italian, c.1505–
vivalcli: Dying Slave c. 1505–45. Michelangelo
somanyhumanbeings:Hans Burgkmair, Hans Schellenberger (1505)
dominusvenustas: Giorgione, La Tempesta, c.1505 tempest n. 1. A violent windstorm, frequently
si-cooper-hewitt-design-museum: Apollo and Diana, ca. 1505, Smithsonian: Cooper Hewitt, Smithsonian
Park Jung Yoon 1505
slam-european: Portrait of a Musician, attributed to Girolamo Mazzola Bedoli, Italian, c.1505–
This is what the devil looks like. By Antonius Retabel, ca. 1505.
renaissance-art-blog: Old man with ivy wreath and lion’s head, 1505, Leonardo Da VinciSize: 13
Madonna and Child, 1505, RaphaelMedium: oil,board
si-cooper-hewitt-design-museum: Apollo and Diana, ca. 1505, Smithsonian: Cooper Hewitt, Smithsonian
artist-davinci:Study of David by Michelangelo, 1505, Leonardo Da VinciMedium: pencil,ink,paper
Raphael, Madonna of the Goldfinch, 1505-06
Raphael, Madonna of the Goldfinch, 1505-06
Hans Baldung Grien, The Martyrdom of St. Lawrence, ca. 1505-07
Portrait of a woman, possibly Isabella d'Este by Giovanni Francesco Caroto, 1505-10
Francesco Maria della Rovere by Vincenzo Catena, 1505-10
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