1950s America Gallery
tatsuki machida
marvel parallels
sims 4 edwardian
rachel loui
namiparadise
Resort Wear (fashion photographs), ca. mid–late 1950sTom Palumbo (American, born Italy; 1921–2008)Mo
Classic 1950s, American, professional.An unusual and rather effective shot, with the sudden disjunct
Untitled (fashion photograph)LillianBassman (American; 1917–2012)1950s© The Estate of Lillian Bassma
ex-plore:aacalibrary:Lady Greyhound:Back in the 1950s, Lady Greyhound took America by Storm. She was
Alexey Brodovitch, cover design for Harpers Bazaar, 1958. USA.
Richard Neagle, The Bamboozler child’s clothes tree, 1953. Wood and metal. Brooklyn Museum. Exhibiti
Leon Levinstein (American; 1910–1988)Fifth AvenueGelatin silver print, 1959 Courtesy Howard Greenber
objektid:American greasers hang out in the park. The greaser subculture began in the 1950s with the
ex-plore:aacalibrary:Lady Greyhound:Back in the 1950s, Lady Greyhound took America by Storm. She was
Ray and Charles Eames, Hang-it-All rack for kids, 1953. Welded steel frame, wooden balls. USA. vitra
Woman Crossing Street, ca. 1954Sy Kattleson (American; 1923–2018)Gelatin silver print
Ray & Charles Eames, desk chair EA 117, 1958. Made by Herman Miller, 1970. USA.
Woman Reading (1957). David Park (American, 1911-1960). Oil on canvas.In the 1950s, the San Francisc
Candy Store, New YorkWilliamKlein (American; 1928– )1955Gelatin silver print
Touch of Dew (Lisa Fonssagrives, New York)Lillian Bassman (American; 1917–2012)1961Fashion photograp
Lucinda Hollingsworth with Fabergé EggJohnRawlings (American; 1912–1970)Published:Vogue (December 19
Ray & Charles Eames, DSR “Shell” Chair, La Fonda base, 1959. For Herman Miller. USA.
George Nelson, clock, 1950s, by Howard Miller
Bob Jones, artwork for Barbara Caroll Trio, 1954. RCA Victor
Ensemble by Jean Dessès, Paris, 1958Photograph by Gleb Derujinsky (American; 1925–2011)Model: Iris B
Russel Wright, cocktail glass, 1950s. USA. Via Cooper Hewitt
Flaminio Bertoni & André Lefèbre, Citroën DS 19, brochure for the american market, 1956. Via old
A missing “G” caused Glover Gate at American University in Washington, DC, to become &ld
Relational Painting, Tondo # 33Fritz Glarner (American, born Switzerland; 1899–1972)1954 Oil on Maso
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