Aubreylstallard Gallery
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aubreylstallard:Mike Kelley, “More Love Hours Than Can Ever be Repaid and The Wages of Sin,” 1987
aubreylstallard:Peter Doig, The House that Jacques Built, 1992
aubreylstallard:Waqas Khan, Haloed Man, 2010
aubreylstallard:Irving Penn
aubreylstallard:Andy Warhol
aubreylstallard:Andrew Wyeth, Open and Closed, 1964
aubreylstallard:Chris Day, 2014
aubreylstallard:Vik Muniz
aubreylstallard:SuhaylahSuhaylah
aubreylstallard:Yu Fukagawa
aubreylstallard:John Berry
aubreylstallard:Samuel Zeller
aubreylstallard:Edvard Munch, “Towards the Forest II”
aubreylstallard:René CoutelleFile Under: Eroticism as entanglement unto mutation and then when it’s
aubreylstallard:Guy Billout
aubreylstallard:Fairfield Porter, 1962
aubreylstallard:Oswaldo Guyasamín
aubreylstallard:Martin Parr
aubreylstallard:Dianna Molzan
aubreylstallard:Sally Bennett Jones
aubreylstallard:Jean Hélion, La Fille Au Reflet D'Homme, c. 1944
aubreylstallard:Clyfford Still
aubreylstallard:Jean Hélion, La Fille Au Reflet D'Homme, c. 1944
aubreylstallard:Belle Baranceanu, Drill Baboon, 1930-1960
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