British Printmakers Gallery

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Summer Amusement at Margate, or a Peep at the MermaidsThomas Rowlandson (British; 1757–1827)1813Hand

L'archet brisé = The Broken BowLouis Gallait (Belgian; 1810–1887)ca. 1865EtchingThe British Museum,

Percival Gaskell (British; 1868–1934)Low Tide Aquatint, n.d. The British Museum, London © The Truste

A Voluptuary Under the Horrors of DigestionJames Gillray (British; 1756–1815)Etching and stipple wit

Study of an arm with hand gripping hilt of sword (from Benjamin Robert Haydon’s “Macbeth”)Thomas Lan

A View on the Banks of the ThamesThomas Rowlandson (British; 1757–1827)1807Hand-colored etching Roya

The Fall of SatanJames Barry (Irish; 1741–1806)1777Etching and aquatint in brown inkThe British Muse

“The Christian Triumph” (frontispiece to Night IV)William Blake (British; 1757–1827)ca. 1795–7Illust

The Fall of SatanJames Barry (Irish; 1741–1806)1797EtchingThe British Museum, London | © The Trustee

Satan Rising from the Burning LakeWilliam Strang (British; 1859–1921)1896Etching In: Paradise

“Of Fancy, when our Hearts remain below?”[Samson Brings Down the Temple] (Night IX, page

Neptune (detail)Pierre Augustin Massé(French; fl. late 19th century) after Charles Napier Ken

A Nude Soldier with Plumed Helmet Sitting onRocksElishaKirkall (British; ca.1682–1742) after L

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