Chloezhao Gallery
john barrasso
fabricemartin
tammie brown
sky1stfalllen
cheyennehorizon
chloezhao:William Travilla’s original costume design sketches for Marilyn Monroe– in Gentlemen Prefe
chloezhao:“Powerful lights permitted high camera speeds, crucial in capturing the high-speed alchemy
chloezhao:Are you here? Are you always here? I miss you. I think about you all the time. I hear your
chloezhao:I have no illusions about my looks. I think my face is funny.Audrey Hepburn in Funny Face
chloezhao:A murderer would never parade his crime in front of an open window.Rear Window (1954) dir.
chloezhao:A murderer would never parade his crime in front of an open window.Rear Window (1954) dir.
chloezhao:William Travilla’s original costume design sketches for Marilyn Monroe– in Gentlemen Prefe
chloezhao:Edith Head’s original sketches vs. final designs for Audrey Hepburn— in Roman Holiday (195
chloezhao:Salvador Dalí’s surrealist dream sequence— Spellbound (1945) dir. Alfred Hitchcock
chloezhao:SHURI + science, technology, & engineering
chloezhao:Memory is a strange thing. It doesn’t work like I thought it did. We are so bound by time,
chloezhao:Marilyn Monroe as Sugar– Some Like it Hot (1959) dir. Billy Wilder
chloezhao:Are you here? Are you always here? I miss you. I think about you all the time. I hear your
chloezhao:Edith Head’s original sketches vs. final designs for Audrey Hepburn— in Roman Holiday (195
chloezhao:William Travilla’s original costume design sketches for Marilyn Monroe– in Gentlemen Prefe
chloezhao:FASHION IN HEATHERS (1988) Costume design by Rudy Dillon
chloezhao:William Travilla’s original costume design sketches for Marilyn Monroe– in Gentlemen Prefe
chloezhao:Winona Ryder in Edward Scissorhands (1990) dir. Tim Burton
chloezhao:“Powerful lights permitted high camera speeds, crucial in capturing the high-speed alchemy
chloezhao:William Travilla’s original costume designs for Marilyn Monroe– in Gentlemen Prefer Blonde
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