Eisenstein Gallery
court martial
vintage 1970s
mhaposting
thanatography
packie mcreary
Sergei Eisenstein, ‘A Dialectic Approach to Film Form.’
Sergei Eisenstein, ‘A Dialectic Approach to Film Form.’
Sergei Eisenstein, ‘The Cinematographic Principle and the Ideogram’.
Anton Lavinsky. Poster for Sergei Eisenstein’s Battleship Potemkin. 1925. Chrome lithograph. Product
Together spanning four centuries and three continents, Spanish artist Francisco Goya (1746–1828), Ru
Battleship Potemkin , Sergei Eisenstein , 1925.
Battleship Potemkin , Sergei Eisenstein , 1925.
calpuccino:Language is much closer to film than painting isI JUST DO NOT KNOW HOW THIS FILM COULD BE
‘Disney as a Utopian Dreamer’, Oksana Bulgakowa.
folms:Battleship Potemkin (1925, dir. Sergei M. Eisenstein)
kenotype:Jia Zhangke
Sergei Eisenstein, ‘A Dialectic Approach to Film Form.’
Eisenstein on the spherical book in Oksana Bulgakowa’s Sergei Eisenstein, A Visual Universe.
Eisenstein: Nice place. You pay for all this with donations to the church?Erik: We’re not a church,
Man Overboard - Driveway [x]
Eisenstein and Disney
uconstruction:Romance Sentimentale • Directed by Sergei Eisenstein & Grigori Aleksandrov 1930
derekjarman:Бежин луг (Sergei Eisenstein, 1937)
Sergei Eisenstein, ‘The Cinematographic Principle and the Ideogram’.
derekjarman:Бежин луг (Sergei Eisenstein, 1937)
cuttothefeeling:October: Ten Days that Shook The World (1928) || dir. Sergei Eisenstein
archive-cinema:¡Que VIva México! - Da Zdravstvuyet Meksika!, Sergei M. Eisenstein, 1979
Иван Грозный (Ivan the Terrible) 1944, Sergei Eisenstein.
historicaltimes:Pioneering Soviet filmmaker Sergei Eisenstein posing with a cactus, Mexico 1930-31 v
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