Excerpt Au Gallery
sara golish
stripesandpeonies
notlanguages
iimgurcom
desprecio
In an excerpt from Plato’s Symposium, Aristophanes recounts the origins of love. According to
— Cait Weiss Orcutt, from “Those Striking Shades I :: The Magician,” published in Cleaver Maga
salemwitchtrials:[ID: excerpt from ‘The Glass Essay,’ Anne Carson “Inside my chest I felt my heart s
kenaim: excerpt from Water Fantasy
vegaschapters:journal excerpt
soracities:e.e. cummings, from “the moon looked into my window” (excerpt from Is 5), Complete Poems:
nijigenlewd: ガルパンまとめ(3-6月) (excerpt) by artist あおむし (@Aomushi4)
haleyincarnate: Excerpt from the short story The Curious Case of Benjamin Button” by F. Scott Fitzge
nijigenlewd:twitterまとめ (excerpt) by artist Moo (@Spicy_Moo, fanbox)
salemwitchtrials:[ID: excerpt from ‘Eurydice,’ a poem by Margaret Atwood “You would rather have gone
a-quiet-life:— Simone Weil, excerpt from Waiting on God, translated from the French by Emma Crawford
Learn Japanese grammar point: ばかりにThis is an excerpt from JTest4You’s N2 Grammar Ebook.
aku-no-homu:大垣さん (excerpt) by artist とむ猫 (@akimizu)
nijigenlewd: ガルパンまとめ (excerpt) by artist em(仕事募集中) (@hakike, fanbox, enty, nijie)
Excerpt from the magazine “Diabetes Forecast” re: the metabolic changes that occur after
salemwitchtrials: [ID: excerpt from “The Brown Menace Or Poem to the Survival of Roaches,” Audre Lo
boykeats: douceurs: excerpt from “The Book of Delights” by Ross Gay (transcript under the cut) Kee
haleyincarnate: Excerpt from “Meditations” by Marcus Aurelius
violentwavesofemotion:Written excerpt featured in Margaret Atwood’s preface of “Negotiating with the
An excerpt from Catherine Waldby’s essay “Destruction: Boundary Erotics and Refigurations of t
via resonanteye.net/on-politics/on politicsan excerpt from WSB I’m planning to run for sherif
While I feel the need to point out Somalia is not part of the middle east this excerpt from Isobel
Excerpt of a little booklet, about lactose intolerance.
lesbianherstorian:excerpt from “queer today, gone tomorrow” by emma healey, c. 1990s
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