Glitchphotography Gallery
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Brood
glitchphotography:Personal Explorations of the Digital Self by Arafa C. Hamadi
glitchphotography:The Capybaras of Ipaussu [ Sossegada / Version Control ] /// WIC (J-Wavelet Image
glitchphotography:[ Comedown /// Bermuda △ ]エコー ザ ドルフィン Ride the C a t a c l y s m
glitchphotography:m10__b
glitchphotography: “Departamento de Operações Estruturadas" The Offshore Firm (2021) // Retrod
glitchphotography:Huey P. Newton, CBS Interview during his imprisonment in 1968 (01-06) { DXV3 Codec
glitchphotography: “Server Room + Admin Desk” The Offshore Firm (2021) // Retrodystopic hyper-corpor
glitchphotography: “Server Room + Admin Desk” The Offshore Firm (2021) // Retrodystopic hyper-corpor
glitchphotography: “The Life Stage: Virtual House” (1993), 3DO /// S p a c e ~ L o f t
glitchphotography: “Server Room + Admin Desk” The Offshore Firm (2021) // Retrodystopic hyper-corpor
glitchphotography: “Subaquatic Lounge (Great Barrier Reef Institute of Marine Toxicology)“ The Offs
glitchphotography: “Departamento de Operações Estruturadas" The Offshore Firm (2021) // Retrod
glitchphotography:“Human Resources Office (Mecha Development Unit)” The Offshore Firm (2021)// Limin
glitchphotography:More of Suzanne Treister’s “Fictional Videogame Stills” from the early 1990s, a s
glitchphotography: Dead Flowers Don’t Mean Shit (01, 02) [2015]
glitchphotography: Consider the Bony Orbit… { zipped motion block video (zmbv) codec databending, s
glitchphotography: Apocalypse Beach (m04b_)
glitchphotography: “The Life Stage: Virtual House” (1993), 3DO /// This is your San Francisco Home
glitchphotography: “Black Tree Tableau” Rosie + Poe (2021)
glitchphotography: __16e (three boo’s two crops) { photoshop 6.0 cachemash glitch from three photogr
glitchphotography: recognize this face? (10) { Original photo + Photoshop CS6 Lens Correction Glitch
glitchphotography:“Rec Room” The Offshore Firm (2021) // Liminal hyper-corporate spaces created with
glitchphotography:More of Suzanne Treister’s “Fictional Videogame Stills” from the early 1990s, a s
glitchphotography: HFW_11A reminds me of Emily Short’s Galatea (2002)
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