Infrastructure Gallery
frederickchiltoon
grayknyght
17kindsofawesome
daymn
beyondthesunrise
Innovative Project Is Growing Crops Beneath Solar Panels in KenyaThe project, officially called &ldq
Infrastructure and structureDrawing watercolor 60x75cm_ Fabrice Clapiès _ 1999
The probability of a cityDrawing watercolor _ Fabrice Clapiès _ 2017
With India’s burgeoning water crisis, the largely unknown and often abandonned stepwells are b
The probability of a cityDrawing watercolor _ Fabrice Clapiès _ 2017
The probability of a city Drawing watercolor _ paper 102x66cm _ Fabrice Clapiès _ 2
jzaphotography: London Bridge.Arguably London didnt exist before the first London Bridge around AD55
unbelievable-facts: Japan had issues with crow nests on electric infrastructure, so they went and de
debikayo: The electric fencer and the bee hives its protecting #beekeeping #bees #hives #honeybees #
weavemama: W.T Stevens Construction is the black owned business that is doing more than the governme
Rathaus Spandau (Berlin U-Bahn) by depecheyuri
An Railway Station Under Construction in Jinan China
August 2015 - Making the most of the tree limbing refuse So the guys who butchered the trees le
fuldagap: Market in Batumi, Georgian Soviet Socialist Republic, 1975.
Ghost Wash House in Arizona / Architecture Infrastructure Research
harperhug: micdotcom: Flint, Michigan now has nobody collecting the city’s garbage The city of
jeroenapers: Schotelantennes als schimmel aan de muur. Kunst van Jakub Geltner.
jell0-kitty: imthenic: sixpenceee: Solar Roadway’s crazy plan to replace America’s roads
verkehrsführung | traffic routing left lower rhine area, germany // 11-2021
cold infrastructurenear zell am see, austria // 01-2019
parsonsadmission: Rama Chorpash, Associate Professor of Product Design at Parsons, recently collabor
The allusive field of an environment Le champ allusif d'un environnementDrawing watercolor _ pa
« Systematic traces » Drawing watercolor _ paper 30x22in / 75x55cm _ Fabrice Clapi&
Geographical uncertaintyDrawing watercolor _ paper _ Fabrice Clapiès _ 2017
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