Italian Baroque Gallery
strawberry trapper
queerpagan
artofthday
ooh-lua
nude hippie
Giovanni Francesco RomanelliA Sibyl
Attributed to Giuseppe Vermiglio (1585–1635)Salomé présentant la tête de Jean Baptiste à Hérodiade
Francesco Montelatici detto Cecco Bravo (1607–1661)Tulipani e rose gialle in un vaso di vetro; Busto
Christ and the Samaritan Woman, Carlo Maratta, 2nd half of 17th century
Francesco Montelatici detto Cecco bravo (1607–1661)Allégorie de l'Aurore
The LamentationDomenichino (Domenico Zampieri) (Italian; 1581–1641)1603Oil on copperThe Metropolitan
The Way to CalvaryDomenichino (Domenico Zampieri) (Italian; 1581–1641)ca. 1610Oil on copperJ. Paul G
Pietro Paolini (Italian; 1603–1681)Allegory of the Five Sensesca. 1630Oil on canvasThe Walters Art M
Hercules and Omphale by Benedetto Gennari (1675-77)
Diana as the Huntress by Bernardino Cametti (1720)
Antonio Gianlisi (1677-1727)Tulips, poppies and various other flowers on a gold plate on a table wi
St. Cecilia with an Angel, Orazio Gentileschi and Giovanni Lanfranco, between ca. 1617 and ca. 1627
Giovanni Battista Tiepolo, also know as Gianbattista or Giambattista Tiepolo (Venice 1696 - 1770 Mad
Orazio Gentileschi, David and Goliath (c. 1605-7), National Gallery of IrelandI love the massive han
elsewheregreen:Saint Sebastian 1620-30. Tanzio da Varallo. National Gallery of Art.
elsewheregreen:Noli me tangere, c1618. Battistello Caracciolo. Prato, Museo di Palazzo Pretorio.
elsewheregreen:David with the Head of Goliath, 1642. Antonio de Bellis. San Diego Museum of Art.
Giuseppe Noagri (Venice, 1699-1763), Allegory of Winter, 18th century
Jusepe de Ribera (Lo Spagnoletto) (Xàtiva, 1591 - Naples, 1652), Saints Peter and Paul, c. 1612
Pietro Ricchi (Il Lucchesino) (Lucca, 1606-Padua or Udine, 15 August 1675), The Adoration of the Mag
Landscape with Moses and the Burning Bush, Domenichino (Domenico Zampieri), ca. 1610-16
The Incredulity of Saint Thomas, Giuseppe Bottani (1717-1784)
St. Michael and the Devil, Orazio Gentileschi, 1607
Diogenes and Plato, Mattia Preti, 1649
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