Ko Nakahira Gallery
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Only on Mondays | Kô Nakahira | 1964Takeshi Katô, Mariko Kaga
Only on Mondays | Kô Nakahira | 1964Takeshi Katô, Mariko Kaga
sempiternele:Takuma Nakahira
Only on Mondays | Kô Nakahira | 1964
Only on Mondays | Kô Nakahira | 1964Mariko Kaga
『猟人日記』中平康/日活/1964 Ryojin Nikki (The Hunter’s Diary) / Director: Koh Nakahira / Production Company &a
『おんなの渦と渕と流れ』中平康/日活/1964 Onna no Uzu to Fuchi to Nagare / Director: Ko Nakahira / Production Company
isabelladenyst:Takuma Nakahira
isabelladenyst:Takuma Nakahira
Untitled (1970)from the [ A Language to Come ] photobook© Takuma Nakahira* παρουσίαση / full feature
circus-sonata:by Takuma Nakahira / 中平卓馬Last Train series / 終電車を包むアトモスフィアーを抽象 (1968)
shihlun: Shomei Tomatsu, Takuma Nakahira, Photographer, 1967. 東松照明, 「写真家 中平卓馬」
isabelladenyst:Takuma Nakahira
secretcinema1: For a Language to Come, 1970, Takuma Nakahira
serafino-finasero: Mariko Kaga in Kô Nakahira’s Getsuyôbi no Yuka (English title: Only On Mondays, a
no23: Takuma Nakahira, via.
aurorae: Getsuyoubino Yuka 1964 / Nakahira Ko
Takuma Nakahira (left) and unidentified, Paris, 1971. From Circulation: Date, Place, Events (2012).
Untitled (1970)from the [ A Language to Come ] photobook© Takuma Nakahira* παρουσίαση / full feature
isabelladenyst:Takuma Nakahira
Yutaka Takanashi – Towards the City (including a short history of the “Provoke” er
ahappening-photographs: japan-photo: eyecurious: Takuma Nakahira’s For A Language To Come ha
『猟人日記』中平康/日活/1964 Ryojin Nikki (The Hunter’s Diary) / Director: Koh Nakahira / Production
『猟人日記』中平康/日活/1964 Ryojin Nikki (The Hunter’s Diary) / Director: Koh Nakahira / Production Comp
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