L-o-o Gallery
excersising
puffphox
electrical cord
crooked lamb
blowyourownjob
l-o-o:my first 3d project
l-o-o-p-y:Edie Sedgwick [ST306], 1965. 16mm film, black and white, silent, 4.5 minutes at 16 frames
l-o-o-p-y: “Pillowtalk,” Zayn Malik, 2016
l-o-o-p-y:The higher our powers, the higher our skirts | The Craft (1996)
l-o-o-p-y:Lou Reed, photographed by Billy Name
l-o-o-p-y:Amanda Lear, photographed by David Bailey, for the Vogue Paris December 1971 issue, guest-
hyacinth-purple: l-o-o-p-y: Edie Sedgwick & Andy Warhol, 1965 love
l-o-o-p-y: 30-foot golden replica of Michelangelo’s David parked in the streets of NYC. By Serkan Öz
l-o-o-p-y: Edie Sedgwick [ST 310], Andy Warhol, 1965
l-o-o-p-y: Could it be that the lady is me In the photograph… | Carrie, 1976
l-o-o-p-y: Edie Sedgwick & Andy Warhol, 1965
l-o-o-p-y: David LaChapelle, Tupac Shakur: To Begin Again (I), 1996 | David LaChapelle, Will You Sti
l-o-o-p-y: Johnny Depp, on set of A Nightmare on Elm Street, 1984
l-o-o-p-y: Edie Sedgwick & Nico, Photobooth by Gerard Malanga, 1966
l-o-o-p-y:Spread from Modern Photography showing images taken by Patricia Caulfield, with Warhol’s i
l-o-o-p-y: Johnny Depp, “Cry Baby,” 1990
l-o-o-p-y: Lou Reed performing with The Velvet Underground at Max's Kansas City, 1970
l-o-o-p-y: Edie Sedgwick, Poor Little Rich Girl
l-o-o-p-y:James Duval in his first Gregg Araki film, “Totally Fucked Up,” 1993
l-o-o-p-y:Two icons of Horror: The Monster and The Final Girl. The Texas Chainsaw Massacre, 1974
l-o-o-p-y:Two icons of Horror: The Monster and The Final Girl. The Texas Chainsaw Massacre, 1974
l-o-o-p-y: “Pillowtalk,” Zayn Malik, 2016
l-o-o-p-y: “The Nation’s Nightmare”’, Andy Warhol, 1951
l-o-o-p-y:Debi Mazar in Gregg Araki’s ’Nowhere,’ 1997. Photographed by stylist Jas
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