New Objectivity Gallery
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Dodo (Dörte Clara Wolff), Fireworks, 1929. Germany
George Grosz (1893-1959), ‘The Pit’ (1946), ’'George Grosz’’ by John I
George Grosz, Suicide, 1916.
Carl Grossberg, The Yellow Boiler (Der Gelbe Kessel), 1933. Oil on wood. Von der Heydt-Museum Wupper
Self-Portrait with Champagne Glass, Max Beckmann, 1919
Felix Nussbaum (1904-1944) — Einsamkeit (Lonliness) [oil, canvas, 1942]
Franz Sedlacek aka Franz August Moritz George Sedlacek (Austrian, 1891-1945, b. Breslau, Germany) -
Flower Piece, Franz Sedlacek, 1922
Zeche Zollverein,Essen, GermanyMay 2018
It’s an early 20th century version of Realism. In the 1920s, some artists continued to work in
Paul Citron, Metropolis, 1923. Photo collage. France. Source
Glasverzerrung I = Glass Distortion IWilly Zielke (German, born Poland; 1902–1989)Original photograp
rikla-kliakil:wetwareproblem:geekandmisandry:jamiemortara:reaaaaall. so much respect bb.Wow, this is
Rudolf Schlichter: Portrait of Bertold Brecht 1928Lenbachhaus Munich
August Sander: High School Student (Gymnasiast) 1926Gelatin silver print
Osram-Glühlampen = Osram LightbulbsWilly Zielke (German, born Poland; 1902–1989)Original photograph:
Paul Kelpe (1902-1985) — Man and Machinery (oil, canvas, 1934)
Otto Dix
Dirnentragodie (“Tragedy of the Street”). 1927. Josef Fenneker.36 ½ x 72 1/8 in./
Heinrich Davringhausen (German; 1894–1970)Porträt Mann in Frack = Portrait of a Man in Tails Oil on
Nocturnal Homecoming (1927). By Austrian artist, Franz Sedlacek (1891-1945).
Dirnentragodie (“Tragedy of the Street”). 1927. Josef Fenneker.36 ½ x
etund: A dynamic duo from the New Objectivity party at the Bauhaus, 1925.
Wilhelm Lachnit - Arbeiter mit Maschine (Worker with Machine), 1924-28. Oil on wood, 19 11/16 x 20 &
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