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Masquerade costumes like the one on view in the exhibition One: Egúngún are a vibrant part of Yorùbá
E kaaro! Welcome! There is power and meaning in language. There is power and a sense of welcoming in
“Aṣọ-òkè is not just an artwork—it’s a way of life.” —Professor Felicia Ogunsheye, Ìbàdàn, Nigeria.
You may have seen this egúngún masquerade dance costume several years ago when it was exhibited in D
Conservators at the Brooklyn Museum examined and analyzed the fabric in this egúngún masquerade danc
Join us on Thursday, June 6 for our Chancellor’s Day Teacher Workshop: One Work, Many Stories, explo
One: Egúngún tells the life story of a twentieth century Yorùbá mas
The Yorùbá masquerade dance costume on view in One: Egúngún is comp
Àdìrẹ is an indigo-dyed cotton textile on view in the exhibition One Egúng&uacu
How are the visual arts and language literacy related? Through close-looking at art, we build descri
On view for two more weeks, take one last deep look at a single type of egúngún, a vib
When I’m teaching from the Brooklyn Museum’s egúngún masquerade costume, t
In love with indigo? Join us 3/10 for a special Creativity Lab celebrating the exhibition One Eg&uac
How do you bring multiple voices into a museum? Film is a great way to do that, especially when you&
The agbádá or dàńdógó is a garment that symbolizes wealth and soc
Àṣẹ, àṣẹ, àṣẹ. With prayers to the ancestors and the pouring of libations, spir
Yorùbá culture is as alive in Brooklyn as it is in Benin, Nigeria, Brazil, and other p
To celebrate the exhibition One: Egúngún, The Fadara Group presents True To Our Native
武藤静香.
上田愛子.
武藤静香.
上田愛子.
愛沢えみり.
上田愛子.
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