Pre-code Gallery
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Anna StenNana (Lady Of The Boulevards) - 1934
One Hour With You (1932) - Ernst Lubitsch and George Cukor.
stop-that-llama:just-grasping-at-straws:love-as-thou-wilt:outrageauxbonnesmoeurs:Vintage women being
weepingbrook:Patrons standing in line to wait to see Frankenstein for the first time.1931
mothgirlwings:Jean Harlow on the set of “Dinner At Eight” (1933). Her white satin gown by Adrian wa
theroning:“Pre-code Hollywood. For five sexy and fun-filled years - beginning in 1929, movies were g
mothgirlwings:the-asphalt-jungle:Marie DresslerDinner At Eight, (1933)(via the-dark-city)
precodeaffair:— Dinner At Eight (1933)
clarulitas:Morocco (1930)
mothgirlwings:Ann Dvorak - “Scarface” (1932)
mariedeflor:Loretta Young and Norman Foster in the pre-Code film Week-End Marriage, 1932
Sylvia Sidney in Dorothy Arzner’s Merrily We Go to Hell (1932).
wildarcy:IT HAPPENED ONE NIGHT (1934)
One Hour With You (1932) - Ernst Lubitsch and George Cukor.
nino-rota:Design for Living, Ernst Lubitsch, 1933File Under: Screwball comedy addiction continues to
lucynic83:Loretta Young’s legs in the opening scene of the pre-code film Loose Ankles, 1930
theroning:“Pre-code Hollywood. For five sexy and fun-filled years - beginning in 1929, movies were g
nitratediva: Joan Blondell has a very pre-Code confrontation with Claire Dodd in Footlight Parade (1
nitratediva:Everyone’s favorite pre-Code bad boy, Warren William, in Employees’ Entrance.
nitratediva: The Pre-Code Myrna Loy.
Marlene Dietrich and Herbert Marshall in Blonde Venus (Josef von Sternberg, 1932)
stars-bean:Shanghai Express (1932) dir. Josef von Sternberg
deforest:JAMES CAGNEY & LORETTA YOUNG inTAXI! (1932)— dir. Roy Del Ruth
Miriam Hopkins; production still from Rouben Mamoulian’s Dr. Jekyll and Mr. Hyde (1931)
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