Proto-renaissance Gallery

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Edvard Munch, Towards the Forest II, 1915.
Frederic Edwin Church, The Icebergs, 1861.
Gustav Klimt, Poppy Field, 1907.
Tom Roberts, Shearing the Rams, 1890.
Ilya Repin, What Freedom!, 1903.
Max Ernst, A Week of Kindness, 1934.
Georges Rouault, Two Prostitutes, 1906.
Francis Picabia, Spanish Night, 1922.
Chiam Soutine, Carcass of Beef, c. 1925.
Jean-Antoine Gros, Bonaparte Visiting the Plague House at Jaffa, 1804.
Anders Zorn, Sunbathing Girl, 1902.
Peter Paul Rubens, Helene Fourment in a Fur Robe, c. 1631.
Mary Cassatt, After the Bullfight, 1873.
Franz Marc, Little Yellow Horses, 1912.
Ejnar Nielsen, And In His Eyes, I Saw Death, 1897.
Félix González-Torres, Untitled (Perfect Lovers), 1991.
Mark Rothko, No. 9, 1954.
Titian, The Flaying of Marsyas, c. 1570. (Left unfinished following Titian’s passing in 1576.
Felicien Rops, Pornokrates, 1878.
Alexandre Brun, View Of The Salon Carre At The Louvre, 1880.
Washington Allston, The Tippler, 1799.
Euan Uglow, Pyramid, 1994-6.
Abbot Handerson Thayer, Angel, 1887.  
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