Screenplays Gallery

old mayura laura mulleavy electric-dandy vsfashionshow currycoaster
… Dark humor. So fun Mom if you’re listening I… Need things to be real . . . #ha
… Silently the sand Takes advantage of the shore Dips beneath the waves . . . Can’t i
… I stand on the edge Observing a miracle Blessed is the night sky. . . . #haiku #writersli
If You’re Not Reading Bad Screenplays You’re Not Getting Better - Guido Segal
At least he cover is pretty… A Crime Against Harry Potter
filmrevues: Top 50 Screenplays #01. Miller’s Crossing (1990), Joel & Ethan Coen I kn
film noir scenewritten using a predictive text interfacesource: screenplays for ‘the maltese f
film noir scenewritten using a predictive text interfacesource: screenplays for ‘the maltese f
popculturebrain: Nine Unfilmed Akira Kurosawa Screenplays Acquired for Production As we’re se
Great advice on the very first page of The Screenwriter’s Bible by David Trottier.
We have to learn, as writers, that our story remains our story, so that we are not afraid to make ch
The properties of people and the properties of character have almost nothing to do with each other.
Being able to deal under pressure is part of what you have to do. At the same time, I don’t th
It slightly depends on your perspective, sort of how you look at these things, but when I sit down t
In the old days, I would just type the piece over and over in the hopes that it would somehow push m
You should make something. You should bring something into the world that wasn’t in the world
What’s important to me about horror stories is to look at what’s actually horrifying abo
My writing process has stayed pretty much the same all the way through, and it’s not everybody
My main intent in directing is getting the performance from the actors to execute the story correctl
As a storyteller, when you see somebody who is the character you envisioned, you feel this energy in
I like messiness in scripts and I like a voice. I like somebody who hasn’t studied the form ov
The easy way ultimately becomes the hard way because you end up paying a price. You basically just m
Certainly as a director you want to be working with people who are on the same page as you and that
The things that really get me on a script is when they meander, and they meander, and they meander.
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