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karatam:Film Dialogue from 2,000 screenplays, Broken Down by Gender and AgeWe didn’t set out trying

mellbeh:karatam:Film Dialogue from 2,000 screenplays, Broken Down by Gender and AgeWe didn’t set out

There’s only one perfect place for the camera at any given time. And I learned that on the ani

Never try to convey your idea to the audience – it is a thankless and senseless task. Show them life

I want to give the audience a hint of a scene. No more than that. Give them too much and they won&rs

In documentaries, there’s a truth that unfolds unnaturally, and you get to chronicle it. In narrativ

I make unpopular versions of popular things. I make a horror film and it’s not a horror film. None o

Everybody’s situation is unique, and the one thing I’ve learned is that instead of copying someone e

I feel like such an amateur film-maker, but not an amateur writer. I will always feel like a writer

I think all of us, under certain circumstances, could be capable of some very despicable acts. And t

I like a naturalism to my dialogue and my comedy. I would rather have a few jokes sail by that might

The idea for me is that if the movie connects with you the way I want it to connect with you, you sh

We have to learn, as writers, that our story remains our story, so that we are not afraid to make ch

It is hard to go back into a world that has already been explored, so to speak. And the fans are ver

The writer must be able to figure out how to limit the effects and still tell the story. Start with

I suppose directing on set is the most fun because it’s a good crack and you feel you’re

Film is like a painting. You can step back from the canvas and you can look at it. Sometimes you can

film noir scenewritten using a predictive text interfacesource: screenplays for ‘the maltese falcon’

film noir scenewritten using a predictive text interfacesource: screenplays for ‘the maltese falcon’

mistymacallister: I’ve been working on screenplays lately, entered my first in film contests… and la

Great advice on the very first page of The Screenwriter’s Bible by David Trottier.

I always want to make films. I think of it as a great opportunity to comment on the world in which w

aazelma:snowfalls3:tentonparasol:Screenplays are serious business: What it says in the scriptOnce Up

When I’m writing, I’m trying to immerse myself in the chaos of an emotional experience, rather than

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