Soviet Cinema Gallery
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Stalker (1979) - by Andrei Tarkovsky
Sergei Eisenstein, ‘A Dialectic Approach to Film Form.’
Sergei Eisenstein, ‘A Dialectic Approach to Film Form.’
Sergei Eisenstein, ‘The Cinematographic Principle and the Ideogram’.
“It’s hard to catch a person leading a double life!”“I was constantly tormented by it.”Beware of the
Stalker (1979) - by Andrei Tarkovsky
“The Needle” dir. by Rashid Nugmanov, 1988
calpuccino:Language is much closer to film than painting isI JUST DO NOT KNOW HOW THIS FILM COULD BE
vatnik-ivan:j-dueso:Morbo+CinemaUtomlyonnye solntsem (1994)IWorld-wide (English title - “Burnt by t
grantcary:Operation Y and Shurik’s Other Adventures // Операция “Ы” и другие приключения Шурика [196
dianus:Dziga Vertov, Man with a Movie Camera (Russian: Человек с киноаппаратом), 1929.‘Our eye
Царевна-лягушка / The Frog Princess (1954) dir. by Mikhail Tsekhanovskiy.
Namus meaning “honor” is a 1925 silent film by Hamo Beknazarian which denounces the harsh rite
Сталкер (Stalker) , dir. Andrei Tarkovsky, 1979.
Sergei Eisenstein, ‘The Cinematographic Principle and the Ideogram’.
roserosette:In the Thirteenth Hour of the Night, 1969, Larisa Shepitko
disorienteddreams:Ivan’s Childhood (Andreï Tarkovsky, 1962)
mendelsohnben:Andrei Rublev (1966) dir. Andrei Tarkovsky
Dziga Vertov (Kino-Glaz) = DzigaVertov (Cinema-Eye)El Lissitzky (Russian; 1890–1941)1929Gelatin silv
Sovetskoe kino, no. 1 (cover) = SovietCinema, no. 1 (cover)Varvara Stepanova (Russian; 1894–1958)Pub
wike-wabbits:Defying Everybody (Yuri Ilyenko, 1973)
winterswake:Ivan Vasilievich Changes Profession (1973) dir. Leonid Gaidai
thefilmstage:A stark contrast from triumphalist Allied narratives of World War II, Elem Klimov’s spe
Берегись автомобиля / Beware of the Car (Eldar Ryazanov, Russia/USSR, 1966)
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