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Polyorama Panoptique Lorchette Enchantée, 1855. Unknown artist. Via Getty Open Content Soon after th
Li-Young Lee, ‘The Interrogation’, The City in Which I love You: Poems
والعمل ايه العمل
typodescript:crimsonkismet: , (-)[ID text: and I was struck less by her beauty than by the extraordi
soracities:Etel Adnan, from ‘Five Sense for One Death’, Women of the Fertile Crescent: An Anthology
Günther Kieser, album cover for Albert Mangelsdorff Quartet, Never let it end, 1970. MPS Records, Ge
ayanam1:Jenny Holzer and Marc Atlan for Helmut Lang
Attila József, “Ode” (trans. Gábor G. Gyukics and Michael Castro)[Text ID: “This great radiance hurt
Walt Whitman, “A Clear Midnight”, Leaves of Grass[Text ID: “Night, sleep, death and the stars.”]
huge-mistakes:In the Victorian language of flowers, the anemone symbolizes the death of a loved one.
Octavio Paz, ‘Letter of Testimony’, A Tree Within (trans. Eliot Weinberger) [Text ID: “ Blood:music
Antonio Porchia, Voices (trans. W. S. Merwin)
Alexey Brodovitch, Editorial artwork for Harper’s Bazaar, photography by Man Ray, 1936. The st
Evan Paul Trine All editions of this print are $11 for the next 11 hours
Moikom Zeqo, ‘I Don’t Believe in Ghosts’, I Don’t Believe in Ghosts: Poems from ‘Meduza’ (trans. Way
Chu Yohan, ‘Life, Death’ (trans. Kyung-Ja Chun and by Chong Bum Kim), The Columbia Anthology o
Paul Eluard, “The Last Night”, Selected Poems (trans. Gilbert Bowen)[Text ID: “This murderous little
Emily Dickinson, ‘The name–of it–is Autumn’ (Poem 656), The Complete Poems of Emily Dick
Mona Sa’udi, from ‘So drunk am i’, Women of the Fertile Crescent: An Anthology of Modern Poetry by A
Marion Moran Cook, cover illustration for House Beautiful, 1930. Launched in 1896, the publication i
Alchemy | @wnq-typography
Walter Breker, cover artwork for the book Reisebericht. Aluminium in der Architektur der USA, 1960.
dedication in Maram al-Masri’s Barefoot Souls (trans. Theo Dorgan)
Ntozake Shange, For Colored Girls Who Have Considered Suicide / When the Rainbow is Enuf: A Choreopo
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