Vintage Typography Gallery
mirandathomas
poipoipoi
hlcreator
nonsaimaicosatiportalamarea
gloss lipstick
coffee life ☕️
Ernst Reichl, mockup drawing for the dust jacket of James Joyce’s Ulysses, 1934. Published by Random
Friedrich Wilhelm Kleukens, book design for Eichendorff, Die Glücksritter, 1911. Insel Verlag, Germa
Johann Christoph Albrecht, Elementa Calligraphiae, 1764. Engraving. Nuremberg, Germany. Source DIPF
Polyorama Panoptique Lorchette Enchantée, 1855. Unknown artist. Via Getty Open Content Soon after th
والعمل ايه العمل
Alexey Brodovitch, Editorial artwork for Harper’s Bazaar, photography by Man Ray, 1936. The st
Alchemy | @wnq-typography
Peugeot. 1900. Rene Vincent.46 5/8 x 61 ½ in./118.5 x 156.2 cmThis absolute monster of a chas
Barnum & Bailey / Exhibition d'Hommes & Femme Phenomenes. Anonymous.36 ¾ x 29 in./93.
An unusual typographic optical illusionan apparently random pattern is actually text when viewed at
Olympia / Brighton. 1893. Pal.30 ¾ x 49 3/8 in./78 x 125.3 cmJust as Pal was arriving to Pari
very nice colour illustrated cookery book cover - cunning cookery
vintagebooksdesign:VINTAGE MAGICWith hand-drawn typography influenced by a series of 1960’s John O’H
This is what I got for you all for Christmas - MORE HORROR!
Dubonnet. 1933. A. M. Cassandre.Each: 11 5/8 x 15 in./29.5 x 38 cmCassandre’s most popular and endur
Grand Sport. 1925. A. M. Cassandre.23 ¾ x 31 ½ in./60.3 x 80 cm“Clothes make the
La Dolce Vita. 1959. Giorgio Olivetti. 55 x 77 ½ in./139.5 x 196.7 cmOne of the greatest film
Lot 191. Anemici, by Anonymous, 1909. 49 ½ x 64 ½ in./125.7 x 163.8 cmThat scarlet blu
Pavillion des Tabacs. 1931. P. Bosse.78 3/8 x 57 ¼ in./199 x 145.4 cmAn electric-pink neon gl
Otto Baumberger, poster artwork for motorcycle exhibition, 1932. Switzerland. Via Susanlenox
a great series from the 1950’s of colour printed vintage guides for different parts of Norther
L'Été à Monte Carlo. 1937. Jean-Gabriel Domergue.24 ½ x 39 1/8 in./62.2 x 90.2 cm“The m
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