White Charcoal Gallery
hanyuukun
zaynfanart
yatchlife
rip queen
livingwithkdramas
Bartolomeo Passerotti, Putti studies.Brown wash over black charcoal with white highlights on toned l
ce-lin-a:Nude #452 by Celinaoriginal drawing, charcoal, white pastel, 35 x 24,5 cm.source: https://l
lwhittie:Portrait of the artistCarbon dust and white charcoal on grey mixed media paper
Tell Tale Heart Cupcake
Erick Weir aka Erick ‘Dub’ Weir (American, based Phoenix, AZ, USA) - 1: Untitled, 2018, Charcoal, Pe
Passing By, 2013red chalk on paper,come visit me on facebook and like the fan page here:https://www.
muffichka:White tinted charcoal on black paper90 mins [allowing for brief interludes of gross sobbin
Rustam Sardalov (Chechen, b. Grozny, Chechnya) - White Rabbit, 2013 Drawings: Charcoal on Canvas
Jeffrey Richter aka Jeffrey Randolph Richter aka Richter Deformities (American, b. MO, USA) - 1: Hea
rjtyler:Carl Gustav Carus (1789–1869), “Fausts Traum/Faust’s Dream” (1852)Charcoal and white, 59.5 x
Nobody Knows My Name #1.1965. Charles White.
India ink and charcoal portrait of the Sandman from early September of 2013.
Near completion. My sister holding my charcoal of Jimi Hendrix. Starting my next one soon. #charlie
Some diferent tecniques.
yama-bato: Gunnar Norrman (1912-2005) “Höstkväll (Autumn Evening)” 1986 Charcoal, 11 ¼ x 8 ¼"
Robert Longo Untitled (White Tiger), 2011 charcoal on mounted paper, 94.7 x 70in each
felixinclusis:thunderstruck9: Robert Longo (American, b. 1953), Untitled (White Door to Freud’s Cons
The epic booty of @paletootsies on IG.
In addition to charcoal drawings addressing current events, Robert Longo frequently delves into art
Edward Scissorhands … a private commission from 2016. India ink, charcoal, and graphite on 2-
olganoes:“Red, White & May” Watercolor, acrylic, ink, charcoal and color pencil on Canson paper.
The infamous navy trousers worn with a jacket. Yes, mid grey, charcoal and white/cream would be more
David Álvarez aka David Daniel Álvarez Hernández aka Tlacuiloa (Mexican, b. 198
“The battle scars of an American subcultural landscape are written in the possessed, seductive
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