1620s
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Lucas Vorsterman (Flemish; 1595–1675) after Peter Paul Rubens (Flemish; 1577–1640)The Fl
Lucas Vorsterman (Flemish; 1595–1675) after Peter Paul Rubens (Flemish; 1577–1640)The Fl
Orazio Gentileschi (Italian; 1563–1639), workshop ofLot and His Daughters Oil on canvas, ca. 1
Orazio Gentileschi (Italian; 1563–1639), workshop ofLot and His Daughters Oil on canvas, ca. 1
a-little-bit-pre-raphaelite:Daphne transforming into a Laurel Tree Apollo and Daphne, 1620s, Gian Lo
a-little-bit-pre-raphaelite:Daphne transforming into a Laurel Tree Apollo and Daphne, 1620s, Gian Lo
a-little-bit-pre-raphaelite: Daphne transforming into a Laurel Tree Apollo and Daphne, 1620s, Gian
a-little-bit-pre-raphaelite: Daphne transforming into a Laurel Tree Apollo and Daphne, 1620s, Gian
spanishbaroqueart:Eugenio Cajés The Adoration of the Magi (1620s) Szépművé
spanishbaroqueart:Eugenio Cajés The Adoration of the Magi (1620s) Szépművé
history-of-fashion: 1620s Cornelis de Vos - Portrait of a Lady in Elegant Dress
history-of-fashion: 1620s Cornelis de Vos - Portrait of a Lady in Elegant Dress
Valentin de Boulogne, Christ and the Adulteress (1620s) One of my favorite accounts o
Valentin de Boulogne, Christ and the Adulteress (1620s) One of my favorite accounts o
Hercules Seghers — Two Trees (An Alder and an Ash), 1625-1630.  Printmaking: etching, 16
Hercules Seghers — Two Trees (An Alder and an Ash), 1625-1630.  Printmaking: etching, 16
Jusepe de Ribera (1591-1652), ‘The Penitent Magdalene’, 1620Source: www.sdmart.or
Jusepe de Ribera (1591-1652), ‘The Penitent Magdalene’, 1620Source: www.sdmart.or
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