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Giovanni Battista Tiepolo, Woman with a Parrot, c. 1758-1760, oil on canvas (Ashmolean Museum, Oxfor
The Blind Oedipus Commending His Children to the Gods by Bénigne Gagneraux (1784)
Taking ships’ logs from the 1700s and 1800s, and charting each geolocated entry on a white sur
medievalpoc:Decoration attributed to Johann Gregor Höroldt; Meissen Porcelain ManufactoryGarniture o
Thomas Lawrence, Queen Charlotte (detail) 1789 (x)
Queen Charlotte’s Notebook c.1765
Franziska Sibylla of Saxe-Lauenburg (1675-1733) Margravine of Baden-Baden in fancy dress costume as
Archduchess Maria Amalie in dance dress with a mask in her hand by David Richter the Elder, 1709
“Centi-folium stultorum in quarto” by Christoph Weigel, 1709
Teresa Kunegunda Sobieska, Electress of Bavaria, by David Le Clerc, 1708
ltwilliammowett:A genuine skull-and-crossbones pirate ship flag from the 1700s, from the Barbary Coa
booksandchurches:cityoflondonlibraries:More Shrove Tuesday fun, this time from London Metropolitan A
mapsinchoate:Pierre Le Lorrain, abbé de Vallemont - La physique occulte ou traité de la baguette div
Rachel Ruysch, Still Life with Flowers on a Marble Tabletop (detail), 1716. Oil on canvas, 48.5 × 39
Costume from Outlander
mademoisellelapiquante:Portrait of Elizabeth Farnese, Queen of Spain (detail) | artist unknown | ea
Gourd Basket with Chrysanthemum Design, Ogata Korin, 1700s, Cleveland Museum of Art: Japanese ArtThi
The Scandalous Lady W
greuze:Frans van der Mijn, Portrait of a Lady (Detail), 18th Century
fripperiesandfobs:Court robe à la française, first half of the 18th centuryFrom the Kyoto Costume In
Samurai helmet (kabuko) shaped like an octopus. 1700s, Japan.
Robe à l’anglaise retrousée, late 1770′sFrom Kerry Taylor Auctions
1700s:FitzSimmons’ academy time.Just imagine FitzSimmons did not like each other at first, and then
ltwilliammowett:Sword or Cutlass, 1700s This sword or cutlass is completely encrusted with what used
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