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Charles Percier - Arc de triomphe du Carrousel (c. 1806).
View Seen from the Bridge of Moulins-Brules, Effect at Dusk, Charles Cuisin. French (1815 - 1859)
French cuirass struck by a cannonball at he Battle of Waterloo, 1815.Formerly owned by Antoine Lavea
loumargi:Hecuba and Polyxena (detail), 1815, Merry-Joseph Blondel (French, 1781-1853)
Etrennes Geographiques ou Costumes des principaux peuples de l'Europeaccompagnes D'un Precis histori
pagewoman:Glenfinnan Monument, Lochaber, Highlands of Scotland.Erected in 1815, in tribute to t
thisblueboy:Pierre-Narcisse Guerin (Paris 1774-1833 Rome), Phaedra and Hippolytus, 1802/1815, Musee
Night Thoughts on Life Death and Immortality E. Young c1815
The Faithful Knight by Thomas Jones Barker (1815 – 1882)
The philosophy of numbers(Pictured: The multitalented AdaLovelace (b. 1815) was a mathematician and
Les Écossais à Paris ou la curiosité des femmes.1815.Estampe.
Henry “Box” Brown (ca. 1815- ca.1889) was a slave from Virginia that escaped to freedom
Andreas Achenbach (1815–1910, Germany)Landscapes 2Achenbach was a German landscape painter, as
1847 map of the Tambora volcano on Indonesia’s Sumbawa Island. Tambora erupted in 1815 in an e
design-is-fine:Josiah Wedgwood, Teapot with alligator, 1815. Etruria, England. Via Kunstmuseum Morit
odyssian:epigenetics:necspenecmetu:Leon Cogniet, Briseis Mourning Patroclus, 1815#i love this painti
Schwester Monika (Ein Erotik Klassiker). E.T.A. Hoffmann Zugeschrieben. 1815.
pintoras: Caroline Friederike Friedrich (German, 1749 - 1815): Still Life (via The State Hermitage M
Jacques-Louis David, Portrait of Jean-Pierre Delahaye, 1815, 61 × 49 cm, Los Angeles, L.A. Cou
simobutterfly:Ercole e Lica, Antonio Canova 1795/1815.
hadrian6: Narcissus. 1815. Christoffer Wilhelm Eckersberg. Danish 1783-1853. oil/canvas.  
detailedart: Details: Landscape with Tourists at Loch Katrine, 1815, by John Knox.
detailedart: Sculpture by Pio Fedi (1815–1892) | Photo by Frank Huiskamp.
detailedart: Sculpture by Pio Fedi (1815–1892) | Photo by Frank Huiskamp.
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