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Illustrations by Walter Molina for news stories about Brigitte Bardot (images 1, 3 and 4) and Marily
Art by tragic former Beatle, Stuart Sutcliffe (1940-1962). Image 3 is a self-portrait. Sutcliffe lef
weirdlandtv:A 1963 Christmas card drawn by Jim Henson.
Astronauts in peril. Cover illustrations by Ed Emshwiller for Alien Planet (1963), Bow Down to Null
La Chancelière by Ljuba Popović (1967)
talesfromweirdland:COMIC INFERNO. Illustrations by Ed Emshwiller for GALAXY magazine (February 1963)
talesfromweirdland:Alternative power station designs by Henry Dreyfuss and Associates, for US Steel.
Four more Urania covers by Karel Thole. 1960s/70s. Ah, Thole—he could make bizarrely grotesque monst
talesfromweirdland:Costume designs by Jack Kirby for a 1969 performance of Shakespeare’s JULIUS CEAS
vulpesarctica:Luke and Leia, inspired by 60s/70s psychedelic art and tarot cards.Buy prints here!
Very pleased with this one! was getting deep into Syd Mead’s designs and concept art and felt
st-r-trk-fangasm:Submitted for KISMET 2018I went for an art style right out of the 60s. It was a fun
zackdefelice:This is my original rendering centered around Owsley Stanley and Bob Thomas’s famous sy
finnreyultd:Wanted a 60s arthouse vibe for Finn and Rey as highly trained operatives doing their thi
talesfromweirdland:Life during the Cold War.The Drive for Mass Shelters. Cutaway Plan of Community S
THE NAKED SUN. Karel Thole cover illustration for the 1969 Italian publication of the Isaac Asimov n
talesfromweirdland:Concept art for Disney’s JUNGLE BOOK (1967).
talesfromweirdland:Stills from John Whitney’s pioneering 7-minute computer animation from 1961, Cata
talesfromweirdland:THE INTELLIGENT WOMAN’S GUIDE TO ATOMIC RADIATION (1964). Cover art by Bruce Robe
You can talk to me, you can talk to meYou can talk to me, if you’re lonely you can talk to meAnimati
talesfromweirdland:Animation cels of Disney’s Scrooge McDuck and Money (1967).The short marks Scroog
talesfromweirdland:Yokai Monsters, late 1960s.
talesfromweirdland:Storyboard for the animated trailer to the Billy Wilder film, Irma La Douce (1963
Anatoly Rafailovich Brusilovsky in his studio in Moscow, during a session of Body Art with the model
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