Abstract Geometric

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stoppages2:Todd Chilton

Julian Stanczak (Polish/American, born 1928), Firefly, 1978. Acrylic on canvas.

Karl Gerstner, Synchromie 4, Neue zyklische Permutation, 1996.

Otto Freundlich, Composition, 1939. Pontoise, Musée Tavet-Delacour. Source RBA

Design graphics Fractals Geya Shvecova_311020

Amy Bay | See more of her work

Ben Boothby | See more of his work

Loading… | ILL.DES Latest series exploring abstract minimalism • 12x12” • Acrylic/Aerosol on

Fractal I. /Whispering Leaves of the Digital Treesacrylic, oil, carving on birch panel30x40 inches

Mario Ballocco, Sequenze quadrangolari - concetto di distorsione, 1964. Oil on canvas. © Archivio Ma

Design graphics Fractals Geya Shvecova (Archive_151220)

Design graphics Fractals Geya Shvecova (Archive_291020)

Isometric Data Exploration

Sophie Taeuber-ArpFOUR SPACES WITH BROKEN CROSS, plate 14 from ART D'AUJOURD'HUI, MAÎTRES DE L'ART A

Colorful Chevron Stripe Vintage Wood iPad Mini Covers

hipinuff:László Moholy-Nagy (Hungarian: 1895-1946), Architecture, c.1920–21. Oil on burlap,  75.6 ×

Walter Dexel, Composition with half disc, 1926. Gouache and ink over lead pencil. Source

“Layers”

Paul Klee, Bildnerische Form- und Gestaltungslehre, II. 19 Progressions, BGII 19/55. Zentrum Paul Kl

Mario Ballocco, Equilibrio spaziale, 1952  © Archivio Mario Ballocco

Karl Benjamin, #3, 1969.

Hélio Oiticica, Metaesquema 169, 1958. gouache on cardboard. Via Espasso.

Julio Le Parc, Alchimies, Modulations, Torsions, 1990. Galeria Lélia Mordoch, Paris.

Karl Hermann Haupt, Untitled, 1925. Watercolour. Germany. Via Nosbüsch Stucke. Haupt (1904-1983) was

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