Abstrakte Kunst

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Julian Stanczak (Polish/American, born 1928), Firefly, 1978. Acrylic on canvas.

Otto Freundlich, Composition, 1939. Pontoise, Musée Tavet-Delacour. Source RBA

Paul Klee, Camel, 1920. Kunstsammlung NRW. From the exhibition To Egypt! The travels Max Slevogt and

Hans Hinterreiter, Opus 152, 1962. Switzerland.

Otto Freundlich, La Rosace II, 1941. Donation Freundlich – Musées de Pontoise. Exhibition Museum Lud

Otto Nebel, Prussian Towers, Preussentürme, 1930. Drawing. Kunstmuseum Bern

Walter Dexel, Composition with half disc, 1926. Gouache and ink over lead pencil. Source

Paul Klee, Bildnerische Form- und Gestaltungslehre, II. 19 Progressions, BGII 19/55. Zentrum Paul Kl

Karl Benjamin, #3, 1969.

Lyonel Feininger, Schären-Kreutzer, 1930

Lyonel Feininger, Gelmeroda IX, 1926Through meeting Julia Berg, the woman who would later become his

Eva Hesse, Untitled, 1966. Brown ink with wash. Source Renaissance Society, University of Chicago. 

Otto Freundlich, Composition, 1940. Gouache on paper. Wilhelm-Hack Museum, Ludwigshafen. Photo Joach

Adolf Richard Fleischmann, Untitled,1954. Oil on canvas. Via KettererKunst

Paul Klee, Death and Fire / Tod und Feuer, 1940. One of the last paintings before his death in June

Bruno Munari, Negativo positivo, 1953. Italy.

Karl Peter Röhl, Grosse Frankfurter Folge, Blatt 20, 1926. Röhl was the designer of the first bauhau

Paul Klee, Tomb in Three Parts, 1923. Philadelphia Museum of Art, The Louis E. Stern Collection

Alexander Liberman (Russian-american, 1912-1999 ) Beat, 1952

halogenic:Eva Hesse, “Rope Piece”, 1970Eva Hesse, Untitled (Rope Piece), 1970

untitled, 2012 [a0016 ab-fo] by Henrik Langsdorf

sunbows: Rime Brune (1960), Pablo Palazuelo Rime Brune - Pablo Palazuelo, 1960

untitled, 2012 [a0033 ar-sp] by Henrik Langsdorf

primary-yellow: PABLO PALAZUELO SYDUS XII, 1997 PRIMARY YELLOW Pablo Palazuelo, Sydus III, 1997

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