Aconissa
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aconissa:Depictions of Saint Sebastian in art: Nicolas Régnier (1620), Glyn Philpot (1932), M
aconissa:Depictions of Saint Sebastian in art: Nicolas Régnier (1620), Glyn Philpot (1932), M
aconissa: Rezi van Lankveld, Píeta / Michelangelo, Pietà / William-Adolphe Bouguer
aconissa: Rezi van Lankveld, Píeta / Michelangelo, Pietà / William-Adolphe Bouguer
aconissa:Poet James Schuyler to painter John Button (Spring 1956) 
aconissa:Poet James Schuyler to painter John Button (Spring 1956) 
aconissa: “In Dutch Protestant paintings of the 15th and 16th centuries, meat often referred t
aconissa: “In Dutch Protestant paintings of the 15th and 16th centuries, meat often referred t
aconissa:Embroidery hoop based on the ‘Skeleton Praying’ detail on the marble floor of C
aconissa:Embroidery hoop based on the ‘Skeleton Praying’ detail on the marble floor of C
aconissa: “In Dutch Protestant paintings of the 15th and 16th centuries, meat often referred t
aconissa: “In Dutch Protestant paintings of the 15th and 16th centuries, meat often referred t
aconissa: happy april 22nd ✌️
aconissa: happy april 22nd ✌️
prudencepaccard:aconissa:Poet James Schuyler to painter John Button (Spring 1956)  a visual aid
prudencepaccard:aconissa:Poet James Schuyler to painter John Button (Spring 1956)  a visual aid
prudencepaccard:aconissa:Poet James Schuyler to painter John Button (Spring 1956)  a visual aid
prudencepaccard:aconissa:Poet James Schuyler to painter John Button (Spring 1956)  a visual aid
a long time ago @aconissa requested that andrew/laurie kiss…….which&hellip
a long time ago @aconissa requested that andrew/laurie kiss…….which&hellip
aconissa:A KIND OF MUTUAL HAUNTINGRare Monk, ‘Happy Haunting’Emily Brontë, Wutherin
aconissa:A KIND OF MUTUAL HAUNTINGRare Monk, ‘Happy Haunting’Emily Brontë, Wutherin
aconissa:I LOVE THE WORLD IN LOVING YOUChen Chen, ‘Elegy’Mitski, ‘Strawb
aconissa:I LOVE THE WORLD IN LOVING YOUChen Chen, ‘Elegy’Mitski, ‘Strawb
aconissa:happy april 22nd ✌️
aconissa:happy april 22nd ✌️
aconissa: THE WOUND (WO)MANArman, Marizibill / @ffoart / Hans von Gersdorff, from Feldtbuch der Wund
aconissa: THE WOUND (WO)MANArman, Marizibill / @ffoart / Hans von Gersdorff, from Feldtbuch der Wund
rebakitt3n: aconissa:choose your fighter (bacchae edition): hippie ben whishaw dionysus who runs the
rebakitt3n: aconissa:choose your fighter (bacchae edition): hippie ben whishaw dionysus who runs the
aconissa: Holywell Cemetery, Oxford, UK (November 2020)
aconissa: Holywell Cemetery, Oxford, UK (November 2020)
aconissa:Poet James Schuyler to painter John Button (Spring 1956) 
aconissa:Poet James Schuyler to painter John Button (Spring 1956) 
aconissa: this is obviously a coincidence but I’m really amused that these two covers use the
aconissa: this is obviously a coincidence but I’m really amused that these two covers use the
aconissa: OUR GOD IS SILENT; OUR GOD IS EATENMargaret Atwood, ‘Eating Snake’, Interlunar
aconissa: OUR GOD IS SILENT; OUR GOD IS EATENMargaret Atwood, ‘Eating Snake’, Interlunar
aconissa:Elaine Castillo, America Is Not The HeartJeanette Winterson, Oranges Are Not the Only Fruit
aconissa:Elaine Castillo, America Is Not The HeartJeanette Winterson, Oranges Are Not the Only Fruit
aconissa: this random young man from the charioteer perfectly describes my attitude to literature
aconissa: this random young man from the charioteer perfectly describes my attitude to literature
aconissa:JOHN STORTZ (b. 1988) Wild Abandon / Keep ‘Em Coming / Absence / Spring Fau
aconissa:JOHN STORTZ (b. 1988) Wild Abandon / Keep ‘Em Coming / Absence / Spring Fau
aconissa: Poet James Schuyler to painter John Button (Spring 1956) 
aconissa: Poet James Schuyler to painter John Button (Spring 1956) 
aconissa:A KIND OF MUTUAL HAUNTINGRare Monk, ‘Happy Haunting’Emily Brontë, Wutherin
aconissa:A KIND OF MUTUAL HAUNTINGRare Monk, ‘Happy Haunting’Emily Brontë, Wutherin
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