American Abstraction
indiscretionsvitaminhollandadorkable-ipliermydokiborealaries
stoppages2:Todd Chilton
stoppages2:Todd Chilton
Sol LeWitt (American; 1928–2007)Scribbles Printed in Four Directions Using Four Colors (plates 11­–1
Sol LeWitt (American; 1928–2007)Scribbles Printed in Four Directions Using Four Colors (plates 11­–1
Karl Benjamin, #3, 1969.
Karl Benjamin, #3, 1969.
Joan Mitchell (1925-1992) — Man with a Banjo  (oil on canvas, 1949)
Joan Mitchell (1925-1992) — Man with a Banjo  (oil on canvas, 1949)
Joan Mitchell (1925-1992) — Untitled   (oil on canvas, 1949)
Joan Mitchell (1925-1992) — Untitled   (oil on canvas, 1949)
Relational Painting, Tondo # 33Fritz Glarner (American, born Switzerland; 1899–1972)1954 Oil on Maso
Relational Painting, Tondo # 33Fritz Glarner (American, born Switzerland; 1899–1972)1954 Oil on Maso
DionysiusBarnett Newman (American; 1905–1970)1949Oil on canvas National Gallery of Art, Washington,
DionysiusBarnett Newman (American; 1905–1970)1949Oil on canvas National Gallery of Art, Washington,
Squiggly BrushstrokesSol LeWitt (American; 1928–2007)1997Gouache on paperDallas Museum of Art, Dalla
Squiggly BrushstrokesSol LeWitt (American; 1928–2007)1997Gouache on paperDallas Museum of Art, Dalla
Goya’s Lantern | 2012 | Oil on linenJust Like Ornette | 2010 | Oil on linenSongbird | 2012 | O
Goya’s Lantern | 2012 | Oil on linenJust Like Ornette | 2010 | Oil on linenSongbird | 2012 | O
McArthur Binion (b.1946), Route One: Box Two: III, 2017.
McArthur Binion (b.1946), Route One: Box Two: III, 2017.
Karl Benjamin (American, 1925-2012), #17, 1988. Oil on canvas, 76.2 × 76.2 cm.
Karl Benjamin (American, 1925-2012), #17, 1988. Oil on canvas, 76.2 × 76.2 cm.
cyberqueer:There is an idea of a Patrick Bateman; some kind of abstraction. But there is no real me:
cyberqueer:There is an idea of a Patrick Bateman; some kind of abstraction. But there is no real me:
hideback:Claude Bragdon (American, 1866 – 1946)Mathematical Abstraction No. 5 “Study in complementar
hideback:Claude Bragdon (American, 1866 – 1946)Mathematical Abstraction No. 5 “Study in complementar
Tomato and Abstraction, 1982, Roy LichtensteinMedium: oil,magna,canvas
Tomato and Abstraction, 1982, Roy LichtensteinMedium: oil,magna,canvas
letosincognito:Lee Krasner, White Squares, c. 1948 oil on canvas
letosincognito:Lee Krasner, White Squares, c. 1948 oil on canvas
Shattered LightLee Krasner (American; 1908–1984)Oil and paper collage on MasoniteChristie’s, New Yor
Shattered LightLee Krasner (American; 1908–1984)Oil and paper collage on MasoniteChristie’s, New Yor
blastedheath:repulsion66 Wilfrid Zogbaum (American, 1915-1965), Untitled Abstraction, 1934-1939. Oil
blastedheath:repulsion66 Wilfrid Zogbaum (American, 1915-1965), Untitled Abstraction, 1934-1939. Oil
Ellsworth Kelly (American; 1923– )Study for Three Color Panels Collage, 1953 © Ellsworth Kelly
Ellsworth Kelly (American; 1923– )Study for Three Color Panels Collage, 1953 © Ellsworth Kelly
Jacob Kainen (American; 1909–2001)Dabrowsky VOil on canvas, 1986Smithsonian American Art Museum, Was
Jacob Kainen (American; 1909–2001)Dabrowsky VOil on canvas, 1986Smithsonian American Art Museum, Was
Red, Yellow, Blue IIEllsworth Kelly (American; 1923–2015)1965Acrylic on canvasMilwaukee Art Museum,
Red, Yellow, Blue IIEllsworth Kelly (American; 1923–2015)1965Acrylic on canvasMilwaukee Art Museum,
Total RecallPeter Halley (American; 1953–)1990Acrylic, Day-Glo paint, Roll-A-Tex on canvasPrivate co
Total RecallPeter Halley (American; 1953–)1990Acrylic, Day-Glo paint, Roll-A-Tex on canvasPrivate co
Blue Green Red IIEllsworth Kelly (American; 1923– )1965Oil on canvasSeattle Art Museum, Seattle, Was
Blue Green Red IIEllsworth Kelly (American; 1923– )1965Oil on canvasSeattle Art Museum, Seattle, Was
 Here’s a little BLUESDAY inspiration from our American art collection, currently on view in Infinit
 Here’s a little BLUESDAY inspiration from our American art collection, currently on view in Infinit
Karl Benjamin (American, 1925-2012), #7, 1974. Oil on canvas, 101.6 x 101.6 cm.
Karl Benjamin (American, 1925-2012), #7, 1974. Oil on canvas, 101.6 x 101.6 cm.
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