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Henry Ossawa Tanner, The Good Shepherd, 1902–03. Oil on canvas, 30″ × 36″.
Georgia O’keeffe, Black Iris, 1926. Oil on canvas, 9″ × 7″.
Georgia O’Keeffe, Black Iris III, 1926. Oil on canvas, 36″ × 29⁷/₈”.
Arturo Ballester, “Hail to the Heroes,” poster, c. 1937.
François Boucher, Portrait of Madame de Pompadour, 1756. Oil on canvas, 6′ 7¹/₈&rd
Laocoön and His Sons (Laocoön Group), ca. 200 BC–70 BCE. marble (copy),&nb
Chi Rho Iota, Book of Matthew (1:18), from the Book of Kells, ca. 800. Ink and pigments on vellum, 1
Richard Serra, Tilted Arc, 1981. Cor-Ten steel, 12′ × 120′.
Jasper Johns, Three Flags,1958. Encaustic on canvas, 2′ 6⁷/₈” × 3′ 9¹/₂
Margaret Bourke-White, At the Time of the Louisville Flood, 1937. Getalin silver print.
Katsushika Hokusai, Thirty-Six Views of Mount Fuji: The Great Wave off Kanagawa, c. 1830. Color
Jean Louis Théodore Géricault, Study of Feet and Hands, 1818. Oil on canvas, 20 ¹
Titian, The Man with a Quilted Sleeve, ca.1510. Oil on canvas, 32″ × 26″.
art2202: Fra Andrea Pozzo, Glorification of Saint Ignatius, ceiling fresco in the nave of Sant'Ignaz
art2202: Chi Rho Iota, Book of Matthew (1:18), from the Book of Kells, ca. 800. Ink and pigments on
Arturo Ballester, “Hail to the Heroes,” poster, c. 1937.
Jean Louis Théodore Géricault, Study of Feet and Hands, 1818. Oil on canvas, 20 ¹
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