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katy-l-wood:saintartemis:anotherconservator: This display in Ashmolean Museum shows how touching art
katy-l-wood:saintartemis:anotherconservator: This display in Ashmolean Museum shows how touching art
Iranian dishes, 950-1750AD. @ashmoleanmuseum collection.
Paolo Uccello, The Hunt in The Forest, 1470 ca. (The Ashmolean Museum - Oxford)
katy-l-wood:saintartemis:anotherconservator: This display in Ashmolean Museum shows how touching art
katy-l-wood:saintartemis:anotherconservator: This display in Ashmolean Museum shows how touching art
Dante Gabriel Rossetti (1828-1882), Reverie, 1868, coloured chalk, 86 x 72 cm. Ashmolean Museum
katy-l-wood:saintartemis:anotherconservator: This display in Ashmolean Museum shows how touching art
The Love Letter (1834). Thomas Sully (American, 1783-1872). Oil on canvas. The Ashmolean Museum.One
Music (1876). Edward Burne-Jones (English, 1833-1898). Oil on canvas. Ashmolean Museum.Burne-Jones&r
Cast Gallery - Ashmolean Museum, Oxfordby jacquemart
ashmolean museum branding exercise (2020)
katy-l-wood:saintartemis:anotherconservator: This display in Ashmolean Museum shows how touching art
katy-l-wood:saintartemis:anotherconservator: This display in Ashmolean Museum shows how touching art
katy-l-wood:saintartemis:anotherconservator: This display in Ashmolean Museum shows how touching art
katy-l-wood:saintartemis:anotherconservator: This display in Ashmolean Museum shows how touching art
ab. 1480-1510 Attr. to Master Baldraccani - Portrait of an unknown lady(Ashmolean Museum)
katy-l-wood:saintartemis:anotherconservator: This display in Ashmolean Museum shows how touching art
The Anthony Ray Collection of Tiles. Bristol, England, 18th century. @ashmoleanmuseum collectio
The Anthony Ray Collection of Tiles. Bristol, England, 18th century. @ashmoleanmuseum collectio
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