Belgian Painters
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Jean de Bosschère (1878-1953), “Folk tales of Flanders”, 1918Source
Jean de Bosschère (1878-1953), “Folk tales of Flanders”, 1918Source
Male AcademyConstantin Meunier (Belgian; 1831–1905)Charcoal on paperca. 1840s–50sKoninklijke Bibliot
Male AcademyConstantin Meunier (Belgian; 1831–1905)Charcoal on paperca. 1840s–50sKoninklijke Bibliot
The IntrigueJames Ensor (Belgian; 1860–1949)1890Oil on canvasKoninklijk Museum voor Schone Kunsten,
The IntrigueJames Ensor (Belgian; 1860–1949)1890Oil on canvasKoninklijk Museum voor Schone Kunsten,
Skeleton MusiciansJamesEnsor (Belgian; 1860–1949)1888Black pencil and brown chalk on paper, mounted
Skeleton MusiciansJamesEnsor (Belgian; 1860–1949)1888Black pencil and brown chalk on paper, mounted
Le matin = MorningLéon Frédéric (Belgian; 1856–1940)Left panel from the triptych L’âge d’or (The Gol
Le matin = MorningLéon Frédéric (Belgian; 1856–1940)Left panel from the triptych L’âge d’or (The Gol
Power of MusicLouis Gallait (Belgian; 1810–1887)ca. 1852Oil on wood (mahogany) panel The Walters Art
Power of MusicLouis Gallait (Belgian; 1810–1887)ca. 1852Oil on wood (mahogany) panel The Walters Art
Art and LibertyLouis Gallait (Belgian; 1810–1887)1859Oil on wood (mahogany) panel The Walters Art Mu
Art and LibertyLouis Gallait (Belgian; 1810–1887)1859Oil on wood (mahogany) panel The Walters Art Mu
L'archet brisé = The Broken BowLouis Gallait (Belgian; 1810–1887)ca. 1865EtchingThe British Museum,
L'archet brisé = The Broken BowLouis Gallait (Belgian; 1810–1887)ca. 1865EtchingThe British Museum,
Jef Leempools (1867-1935), ‘Das Schicksal und Die Menschheit’ (Fate and Humanity), &ldqu
Jef Leempools (1867-1935), ‘Das Schicksal und Die Menschheit’ (Fate and Humanity), &ldqu
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