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thunderstruck9:Tony Bevan (British, b. 1951), Exposed Arm, 1991. Acrylic and charcoal on canvas, 58
{I love me a historic church conversion. This one is by London designer Harriet Holgate, who worked
sweetsncakesarte: Tony Bevan Studio Furniture
lizzymaxia: You’re a fucking joke, Bevan. You’re no more than a pain, Bevan. You are a skid mark, B
finally-human:All Bodies Are Beautiful - Abbie Bevan
mo-salto: Latalia Bevan’s beautiful pirouettes Don’t show this to the ballet fandom.
contemporialist: Rupert Bevan - London based furniture company
The Ascension, West (1801) | After Glow, Foals (2010)
Floralia, Smith (1898) | Alabaster, Foals (2010)
In The Flesh - Emily Bevan, Luke Newberry & Emmett J Scanlan.
FOALS @ “Afisha” Picnic Festival in Moscow, Russia 29.07.17 (more on my IG @gamisama)
Photo credit: Sam Neill
At Dusk, Hanzen (c. 1930) | Out Of The Woods, Foals (2013)
Detail of Les Oréades [The Oreads], Bouguereau (1902) | Inhaler, Foals (2012)
The Farewell of Telemachus and Eucharis, David (1818) | Gold Gold Gold, Foals (2008)
Lamia, Waterhouse (1905) | Lonely Hunter, Foals (2015)
Flaming June, Lord Leighton (1895) | Night Swimmers, Foals (2015)
Morning on the Seine, near Giverny, Monet (1897) | Spanish Sahara, Foals (2010)
Cymon and Iphigenia, Frederic Leighton(1884) | Alabaster, Foals (2010)
Волна(Wave), Aivazovsky (1889) | Miami, Foals (2010)
Nymphes et un satyre (Nymphs and Satyr), Bouguereau (1873) | What Remains, Foals (2010)
Le Mensonge (The Lie), Vallotton (1898) | Give It All, Foals (2015)
Morning on the Seine in the Rain, Monet (1897 - 1898) | Give It All, Foals (2015)
photo credit: sam neill
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